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Kizz Daniel’s ‘Owo Oluwa’ Finds Grace in Faith, Family and Loss

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Photo: Instagram/@kizzdaniel

Kizz Daniel has given “Owo Oluwa” a deeper visual treatment with a music video that draws on faith, family and personal loss. Released on 30 September, the video explores themes of kindness, gratitude and divine favour.

“Owo Oluwa,” which translates to “The Hand of God,” focuses on divine favour, protection and gratitude. The song opens with a house-influenced sound before settling into an Afrobeats groove produced by Krizbeatz. Young Jonn contributes vocals, while Wave Choir provide the choral parts that give the record its praise-inspired feel. Rather than romance or nightlife, Kizz Daniel turns his attention to blessings and holding on to faith during uncertain times.

The song followed a difficult period for the singer. In September, Kizz Daniel revealed that he had taken a break from music after his mother died earlier in the year. Responding to a fan who linked the break to his album plans, he explained that he had stepped away because of his mother and needed to return to work to support the rest of his family. “Owo Oluwa” was later released as his first official single of 2026.

Photo: Instagram/@kizzdaniel

That experience gives the song a personal context, although Kizz Daniel has not said that every part of the record is about his mother. The song also takes on a personal dimension in the music video, which is dedicated to Kizz Daniel’s late parents and carries its theme of faith, grace and giving into a series of acts of kindness.

Directed by Perliks Definition and Asherkine, the video moves away from a typical performance setting. It follows people on Nigerian streets and uses acts of kindness to bring the song’s message to life. An aspiring fashion designer receives a sewing machine, while a commercial driver gets a motorised tricycle. The scenes show how a simple act of help can change someone’s circumstances.

“Owo Oluwa” also serves as the first major introduction to Kizz Daniel’s forthcoming album, Radio Gidi. Its spiritual direction offers an early glimpse into the project while retaining the Afrobeats sound that has shaped much of the singer’s career. The song reached No. 12 on the Official Afrobeats Chart in its first chart week, dated October 3.

For Kizz Daniel, “Owo Oluwa” marks a return to music shaped by faith, family and personal loss, while giving listeners an early look at the direction of Radio Gidi.

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Music

BNXN Releases ‘Still In Charge’ EP Featuring Asake and Fola

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Photo: Instagram

Nigerian singer and songwriter BNXN has released his latest EP, Still In Charge, a six-track project featuring Asake and FOLA. The singer released the project across streaming platforms on Thursday, October 1, 2026.

Still In Charge opens with “Eja Meja,” BNXN’s collaboration with Asake. The song was first released as a standalone single on July 29 and marked the first official collaboration between the two artists. It now serves as the opening track on the EP.

Photo: Instagram/@bnxn

The project continues with “Online,” “16,” “Deliberate Work,” “Shamaya” featuring FOLA, and “If You Like.” Four tracks are performed by BNXN alone, while Asake and FOLA each appear on one song.

FOLA features on “Shamaya,” joining BNXN on one of the EP’s six tracks. The song is credited to both artists on Apple Music and was released alongside the full project on October 1.

Photo: Instagram/@folapondis

The EP follows a short rollout, with some of its songs released before the full project. “Eja Meja” arrived in July, while “Online” was also released ahead of the EP. Both songs now form part of the six-track project.

The release comes months after BNXN teamed up with producer Sarz on “The Game Needs Us,” a five-track EP released in May 2026. The project was released through 1789, T.Y.E. and EMPIRE, according to Apple Music.

Photo: Instagram/@asakemusic

“Still In Charge” is now available on major streaming platforms.

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5 Nigerian Classics to Add to Your Playlist This New Week

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Photo: uppsreggaefestival.com

Some Nigerian songs only need a few seconds to play before the memories come rushing back. They are the songs you heard from cars, shops, parties and radio stations, the ones whose lyrics you somehow knew even when you were not the one playing them. For many listeners, hearing them again can bring back a particular school year, a favourite party or simply a time when these songs seemed to be everywhere. If you are in the mood to revisit some of those familiar hits from the 2000s and 2010s, here are five Nigerian classics worth adding to your playlist this week.

2Baba – “African Queen”

Photo: Instagram/@official2baba

Released in 2004, “African Queen” became one of the songs that defined 2Baba’s early solo career after Plantashun Boiz. The track was part of his debut solo album, Face 2 Face, released by Kennis Music on May 15, 2004, and quickly became one of the best-known records from the project.

The song also gave 2Baba a stronger presence outside Nigeria. “African Queen” featured on the soundtrack of the American film Phat Girlz.

Wizkid – “Ojuelegba”

Photo: Instagram/@wizkiddayo

Wizkid’s “Ojuelegba” draws from the period of his life before fame, using the Lagos neighbourhood that shaped some of his early experiences as the setting for the story. The song appeared on his 2014 album Ayo and was produced by Legendury Beatz, with Wizkid reflecting on the struggles and ambitions that came before his rise in Nigerian music.

The song later gained another level of attention when Drake and Skepta joined Wizkid for its official remix. “Ojuelegba” went on to win Song of the Year at The Headies in 2015, adding to the song’s place in Wizkid’s growing catalogue.

D’banj – “Oliver Twist”

Photo: Instagram/@iambangalee

D’banj’s “Oliver Twist” was released in 2012 and quickly became a major moment in his career, particularly after the song gained attention in the UK. The track stood out for its playful concept and catchy production, with D’banj using the character of Oliver Twist to express his desire for more. Its success was also reflected on the UK charts, where it reached No. 9 on the Official Singles Chart and spent 14 weeks on the chart. It peaked at No. 2 on the UK Hip Hop and R&B Singles Chart.

D’banj’s delivery and the song’s memorable hook made it easy for listeners to recognise and sing along to the record. Its chart run also made “Oliver Twist” one of the notable Nigerian pop records of the early 2010s.

P-Square – “Personally”

Photo: Instagram/@peterpsquare

Released in June 2013, “Personally” was one of P-Square’s memorable songs from the period when Peter and Paul Okoye were among Nigeria’s most popular music duos. The song was produced by Vtek, with its accompanying video released alongside it.

The video is particularly recognisable for its tribute to Michael Jackson, who had a major influence on P-Square’s music and performances. The Lagos-shot visual was co-directed by Jude Engees Okoye and Clarence Peters.

Yemi Alade – “Johnny”

Photo: Instagram/@yemialade

“Johnny” tells the story of a woman dealing with an unfaithful lover, turning a familiar relationship problem into one of Yemi Alade’s most recognisable songs. Its playful sound and humorous storyline helped the record connect with listeners when it was released in October 2013 as the lead single from her debut studio album, King of Queens. Selebobo produced the song, while Clarence Peters directed the official music video, which followed in March 2014 and brought the story to life with a comic touch.

The song became an important part of Yemi Alade’s rise in Nigerian pop music and found listeners in several African countries. It also helped introduce her music to audiences beyond Nigeria and remains one of the recognisable Afropop songs from the 2010s.

For anyone looking to revisit the sounds of the 2000s and 2010s, these songs are worth putting back on the playlist.

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Omah Lay Brings Raw Emotion to Clean Bandit and Chlöe’s ‘Company’

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Photo: Instagram/@cleanbandit

Nigerian singer and songwriter Omah Lay has teamed up with British group Clean Bandit and American singer Chlöe on their new single, “Company.” Released on September 18, 2026, the song touches on loneliness, desire and the need for human connection, combining Clean Bandit’s electronic-pop sound with Chlöe’s R&B vocals and Omah Lay’s Afro-fusion style.

Omah Lay joins Chlöe on vocals, with Clean Bandit members Jack Patterson and Grace Chatto among the song’s contributors. “Company” centres on the desire to have someone around when being alone becomes difficult. Rather than focusing on money or material things, the song presents closeness and affection as what really matters.

Chlöe said she connected with the song when Clean Bandit first played it for her. According to the singer, its message reflects the feeling of wanting someone’s presence instead of being alone.

Photo: Instagram/@cleanbandit

The collaboration had been in the works for several years. Omah Lay first met Clean Bandit members Jack Patterson and Grace Chatto in 2022, when they worked on music at Patterson’s home. Chatto later said the group had spent about five years working with Nigerian artists and producers and had recorded several songs with Omah Lay before “Company” was completed.

The single also comes with a music video directed by Chatto and Patterson, with Patterson handling the editing. Filmed at a former state hospital site near Los Angeles, the video uses the location to reflect the song’s themes of isolation and connection. The dance sequences were created by choreographer, director and performance artist MaggZ.

Omah Lay said he liked the decision by Clean Bandit to direct the video themselves. For the British group, “Company” also marks the next phase of their music under their independent label, CB X. The song is expected to feature on Clean Bandit’s upcoming studio album, scheduled for 2027. It follows the label’s first release, ‘I Don’t Wanna Hurt You,’ a June collaboration with Biig Piig.

The release adds another international collaboration to Omah Lay’s catalogue, while giving Clean Bandit and Chlöe a chance to bring their different musical styles together.

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