Some music videos are all about looking perfect. “Tanko” is the complete opposite; it’s pure vibe. Victony and Terry G take us to a lively beach, where football matches, street snacks, random dance-offs, and Terry G’s wild antics all come together. It’s noisy, fun, and feels like walking into the middle of a real-life party.

Shot by SYX, the video leaves behind the fancy sets and goes straight to the action. Kids run barefoot after a football, women balance trays of food on their heads, chickens mind their business in the middle of the crowd, and the ocean shines in the background. The scene feels spontaneous and full of life. The camera jumps between Victony’s calm delivery and Terry G’s high-energy moves.

The beat is just as playful. Producers Blaisebeatz, Bantu, and The Elements give it a bounce that makes you want to move. Victony’s verses talk about ambition and the hustle, while Terry G crashes in like a one-man carnival; ringing his bell, shouting catchy lines, and stealing the spotlight for a few wild seconds.

What really works is how real it all feels. The football games aren’t choreographed, the dancers look like they’re just enjoying themselves, and both artists join in instead of performing apart from the crowd. You can almost feel the sand between your toes and hear the off-camera jokes.

Mixing old school Nigerian pop energy with a fresh sound isn’t easy. Most times, one side suffers. But here, Victony keeps it smooth, Terry G keeps it unpredictable, and SYX captures it all without losing the raw edge.

“Tanko” isn’t trying to tell a deep story. It’s about a moment: sound, colour, and movement blending into one. By the time it ends, you’re not just watching a video; you feel like you’ve been at the beach party yourself.

2Baba’s latest music video, “Kuku Google Am,” under A Guy Entertainment Limited, delivers vibrant visuals and catchy beats. Directed by Unlimited LA and produced by Duktor Sett, the video is a strong addition to the Afrobeats scene. It’s a clear throwback to the early days of the internet, perfectly setting the tone for a track that’s all about knowing your worth and letting the facts speak for themselves. With its catchy tune urging us to “google it” rather than argue, the video takes that lighthearted tone and turns it into a feast for the eyes. From futuristic elements to street scenes and stacks of cash, 2Baba proves once again why he’s a legend who knows how to keep us hooked.

The video begins with the message: “The most expensive thing we steady spending is… TIME.” This line frames the video’s focus on valuing what matters most. Then, the video shifts into a “Matrix”-inspired scene, featuring green digital rain behind 2Baba, who appears in a sharp suit alongside a character with a TV for a head. This sequence blends digital elements with real-world imagery.

The dancers, dressed in black, perform precise moves that complement the video’s futuristic theme. The video is a journey that blends cool ideas with pure entertainment.

In another scene, 2Baba stands outside a barber shop, hood up and wearing shades, surrounded by a group enjoying the music. This reflects everyday gatherings where discussions and debates happen, a key theme of the song. Then, the video moves to a vault filled with stacks of money, showing 2Baba relaxed among the wealth. A moment where cash covers a person’s face adds humor while critiquing the obsession with wealth at the expense of more important things. Every frame keeps you guessing and grinning.

What makes “Kuku Google Am” stand out is how it balances lightheartedness with meaningful advice. Its lyrics encourage listeners to end endless debates by simply searching for facts, a message many can relate to. Since its drop, fans have been raving about the creativity, and it’s easy to see why. The video has drawn positive attention from fans.

“Kuku Google Am” combines music, storytelling, and visuals to deliver a memorable experience. It reminds us to value our time and not take ourselves too seriously. Check out the video online and see for yourself why it’s resonating with fans.

The video opens with 2Baba staring straight into the camera—not with flair, but with pain. No distractions. Just his face. His eyes. His voice. The way he sings that first line doesn’t feel like a performance—it feels like a plea. In that moment, you’re not watching—you’re inside the guilt, inside the quiet storm he’s been carrying for too long. The song, already weighty with emotion on its own, is the original soundtrack from To Kill a Monkey—a limited series already stirring conversation for its bold storytelling.

This is the heart of “Save Me from Myself”, the collaborative single by Oscar Heman-Ackah and 2Baba, paired with a striking visual directed by Kemi Adetiba.

A Man on Trial—By Himself

The central metaphor of the video unfolds in a surreal courtroom where 2Baba plays multiple roles: the judge, the accused, the spectator, and even part of the crowd. It’s a deliberate decision—and a powerful one. This is a trial of the self, where guilt isn’t just remembered, it’s performed. The imagery mirrors what many go through privately—punishing themselves long before anyone else does.

Each version of 2Baba feels distinct. The judge is cold and distant. The accused is visibly shaken. But perhaps the most jarring layer comes from the background noise: the crowd—loud, aggressive, and merciless—shouting and jeering at him as the trial unfolds. Their faces blur into the background, but their voices hit like stones. It’s not just judgment—it’s humiliation. It captures the chaos of a mind in crisis, when even imagined onlookers become enemies.

When the guilty verdict is delivered, he doesn’t protest. He doesn’t flinch. He accepts it quietly—like someone who’s been carrying that sentence long before it was spoken aloud.

The Drowning Man: A Soul in Crisis

Scattered between the courtroom scenes are haunting underwater shots. 2Baba, submerged in dark water, not struggling—just sinking. Not screaming—just still. It’s not dramatic. It’s devastating. The kind of descent that speaks to people who’ve felt numb for so long they forget what the surface looks like.

When 2Baba Sings, He Means It

Throughout the video, 2Baba sings directly into the camera—unblinking, stripped of ego. There’s no act here. His performance feels more like a confession. His gaze doesn’t waver. And because of that, neither does yours. There’s a raw kind of bravery in singing something so heavy and looking your listener dead in the eye while you do it.

It’s the kind of moment that doesn’t beg for sympathy—it demands honesty. You’re not just hearing him. You’re seeing him. And maybe, seeing yourself too.

Themes That Stay With You

This isn’t a breakup song. It’s not a love ballad. It’s something heavier. A reckoning. The song—and especially the video—deals with emotional isolation, shame, regret, and the fear of never outrunning your past. The courtroom is the mind. The crowd is your conscience. The judge is your memory. And the sentence? That’s the part you’ve written for yourself.

Final Thoughts: A Confession Set to Music

“Save Me from Myself” is brave in its simplicity and relentless in its truth. Kemi Adetiba’s direction gives it space to breathe—to ache—to haunt. There are no distractions. No gloss. Just two things: a message, and a man willing to speak it.

And 2Baba? He delivers one of the most emotionally exposed performances of his career. Quiet. Controlled. Unforgettable.

In One Sentence?

This is what it looks like when guilt becomes the loudest voice in the room—and there’s nowhere left to hide.