Rachel Ojuromi brought her story of turning Lagos streets into a runway to the GTCO Fashion Weekend masterclass on November 8, 2026. Speaking as one of the featured creatives at the two-day event held at the GT Centre in Oniru, the 22-year-old filmmaker and model detailed how she built a career without relying on studios, luxury budgets or traditional fashion gatekeepers.

Ojuromi’s approach to content creation is rooted in a deliberate choice to work outdoors. “Sometimes last year, I decided I didn’t want to shoot anything in the studio,” she told the audience. “When I’m in places, I tend to feel cooked up, and I don’t like to feel trapped. So when I’m in a place that’s like outside, there’s so much that could happen… the unpredictability makes me feel alive”. That instinct led her to abandon conventional studio setups in favour of street photography and creative direction, a decision that would ultimately define her visual identity.

Photo: Instagram/@gtcoplc

Before fashion, Ojuromi’s ambitions pointed elsewhere. Growing up surrounded by clothes because her mother sold them in local markets, she initially set her sights on medicine, inspired by Ben Carson’s autobiography Gifted Hands. But complications with her college application led to a gap year, during which she discovered filmmaking and decided she could push boundaries through creativity instead of surgery.

Teaming up with her childhood friend and stylist Debby Fasingha, Ojuromi began piecing together looks from secondhand and thrifted clothing sourced largely from Yaba market. They filmed across Gbagada, Yaba and other parts of Lagos, often without disrupting traffic, turning everyday locations into high-fashion sets. Their output was prolific: for six months beginning in March 2026, they committed to publishing a new fashion video every day. Ojuromi summed up her approach simply: “You should just use resources you have right now”.

Photo: Instagram/@gtcoplc

The turning point arrived when Ojuromi and Fasingha recreated looks from Chanel’s Métiers d’Art 2026 collection. After Chanel’s casting director, Anita Bitton, gave them clearance to publish their versions, the clip caught the attention of several influential figures, including Chanel’s creative director, Matthieu Blazy, who left a comment reading “Everything” with a heart emoji. The conversations that followed led to Ojuromi’s runway debut at Chanel’s Spring/Summer 2027 show at the Grand Palais in Paris on October 5, 2026, where she walked in Look 73, a grey and yellow tweed shirt and midi skirt. By September, she had signed with modelling agencies in New York, Paris, London and Canada.

Beyond modelling, Ojuromi is a filmmaker and creative director, and she founded The Process Africa, an arts and culture platform dedicated to documenting and spotlighting young African creatives across fashion, film and visual culture. Her work continues to sit at the intersection of fashion, film and storytelling, with Lagos remaining central to the perspective she brings to each project.

Nigerian model and creative Rachael Ojuromi has made her Chanel runway debut at the fashion house’s Spring/Summer 2027 show in Paris, taking a fashion recreation she staged in Lagos to the Chanel runway. Ojuromi, 22, walked in Chanel’s SS27 presentation at the Grand Palais on October 5, where designer Matthieu Blazy presented his latest collection for the French fashion house.

For the show, Ojuromi wore a chartreuse-and-ash tweed look, featuring a yellowish-green and grey palette, with a crimson handbag. The outfit was part of Blazy’s SS27 collection, which brought Chanel’s signature tweed together with different textures and accessories.

Photo: Rachael Ojuromi

Her Chanel debut is also connected to a project she created in Lagos with Fasingha and photographer Odey Ikpä. The trio recreated looks inspired by Blazy’s Chanel Métiers d’Art collection using thrifted pieces and clothes they already owned, then photographed them in different parts of Lagos. Rather than copy the original presentation, they placed the looks in familiar city settings and gave the project a distinctly Nigerian setting.

The project soon drew attention to Ojuromi, Fasingha and Ikpä. Ojuromi said the idea was not simply to copy Chanel’s collection, but to capture the feeling behind Blazy’s work and interpret it through her own surroundings. The approach allowed the Lagos shoot to stand on its own rather than mirror the original collection.

Photo: Rachael Ojuromi

Blazy later noticed the project, creating a link between the Lagos recreation and Ojuromi’s appearance in Paris. Ojuromi has described the opportunity as the result of several steps rather than one defining moment.

For Ojuromi, modelling is part of a wider creative career. Before pursuing it seriously, she worked in filmmaking and creative direction and founded The Process Africa, a platform focused on documenting and supporting young African creatives. Her projects with Fasingha became another outlet for that work, often using Lagos as their backdrop.

Photo: Rachael Ojuromi

Her work in Lagos eventually opened a door to Paris, adding a major international runway credit to the creative career she had already been building.

Nigeria’s Tamunosoye Karibi-George finished among the Top 12 contestants at Miss World 2026 during the grand finale in Nha Trang, Vietnam, on September 5. The 26-year-old was one of 111 contestants who competed in this year’s pageant, which featured several weeks of competitions and activities before the final night.

Karibi-George was not selected among the judges’ initial Top 20, but the live public voting format gave her another route into the competition. Under the pageant’s format, the top two public-voted contestants earned a spot in the Top 12, allowing Karibi-George to advance.

Photo: Instagram/@soye_kg

Meanwhile, Eritrea’s Snit Habteab Tewoldemedhin won the overall People’s Choice Award, which fast-tracked her directly into the Top 6.

Before the grand finale, Karibi-George won the Miss World Africa Top Model title at the Vietnam Beauty Fashion Fest XVII, earning an automatic spot in the next stage after competing against other representatives from Africa.

Outside the main competition, Karibi-George used the Miss World platform to highlight causes she has worked on in Nigeria. Her advocacy project, Beyond Labels, focuses on inclusion and creating opportunities for children with disabilities and special needs.

Photo: Instagram/@soye_kg

She also participated in the Dance of the World presentation, representing Nigeria and drawing attention to environmental concerns connected to the Niger Delta.

Karibi-George earned the opportunity to represent Nigeria internationally after she was crowned Miss World Nigeria 2026 on June 6 at Balmoral Hall, Federal Palace Hotel, Lagos. She emerged as the winner from 20 finalists and represented Bayelsa State at the national pageant before travelling to Vietnam for the Miss World competition.

The Miss World 2026 title was won by Joheirry Mola of the Dominican Republic. Spain’s Elisabeth Reynés finished as first runner-up, while Malaysia’s Taanusiya Chetty was named second runner-up.