Music
Mr Eazi’s “Corny” Is Unapologetically Sweet and Surprisingly Real
Mr Eazi’s new video “Corny” doesn’t chase attention. It doesn’t rely on shock value or flashy edits. Instead, it invites you into a moment—soft, playful, a little bit awkward, and completely honest. It feels less like a performance and more like a man caught up in something he doesn’t mind being teased for.
From the opening scene, the mood is clear. This isn’t a stylised fantasy or a music video dressed up in metaphors. It’s simple, deliberate, and full of charm. Eazi leans fully into the role of a man who knows he’s “doing too much” and couldn’t care less. He’s giddy, expressive, and happy to play the fool if it means staying close to the one who has his attention.

Visually, the video does exactly what it needs to. The colours are warm and inviting. The scenes feel relaxed, with no frantic camera cuts or overdone filters. His leading lady doesn’t play a silent accessory—she matches his energy with subtle looks and teasing gestures, creating a dynamic that feels real rather than scripted. Their back-and-forth tells the story better than the lyrics alone could.
The beat is soft but steady, laying the groundwork for Eazi’s understated vocals. There’s no drama in the production—just a clean groove that makes space for his words. The lyrics aren’t poetic or complicated; they’re direct, honest, and laced with humour. He admits to being “corny,” but the way he owns it makes it charming, not cringey.

What stands out most is how comfortable the whole video feels. There’s no pressure to perform, no attempt to look hard or mysterious. Mr Eazi allows himself to be open in a way that’s rare in modern pop culture—especially from male artists. He doesn’t need to pretend he’s indifferent. He shows up as someone who feels deeply and isn’t afraid to be seen.
By the end, “Corny” leaves you smiling—not because it tries to be funny, but because it feels familiar. It captures that moment when you stop trying to play it cool and just enjoy the feeling for what it is. No ego, no filter—just a man making it clear he’s into someone, and doing it in a way that feels easy to root for.
Music
Ayra Starr Announces Third Studio Album ‘Starr Girl’
Ayra Starr has officially unveiled her third studio album, “Starr Girl”, giving fans their first confirmed look at the project she has been teasing for months.
The Nigerian singer shared the news during an appearance on The Jennifer Hudson Show, where she confirmed that “Starr Girl” will be be released on August 14. Speaking about the album, Ayra said she was proud of the work she had put into it, describing it as a deeply personal record that reflects where she is in her career.

Photo: Instagram/@ayrastarr
“My album, ‘Starr Girl’… I’m so proud of this body of work. I put everything into it, and I can’t wait for the world to hear it,” she said during the interview.
“Starr Girl” follows her debut album, “19 & Dangerous (2021)”, and her sophomore effort, “The Year I Turned 21 (2024)”, both of which helped establish her as one of Africa’s leading contemporary music stars. Since then, Ayra Starr has expanded her audience well beyond Nigeria through international tours, festival appearances and collaborations with artists from different parts of the world.

Photo: Instagram/@ayrastarr
The new album arrives after months of speculation from fans, who had closely followed her studio updates and social media hints. Earlier interviews also revealed that she had been recording new music and exploring fresh ideas for the project, although she kept the album title under wraps until the official announcement.
One of the songs already linked to the album is “Where Do We Go”, which Ayra Starr performed during her appearance on The Jennifer Hudson Show. The performance offered viewers an early taste of the direction she is taking on the new record.
In recent days, the singer has also begun counting down to the album’s release across her social media platforms, sharing teaser clips while continuing her recovery after recently undergoing surgery.

Photo: Instagram/@ayrastarr
Released through Mavin Records, with international backing from Roc Nation, the 16-track project features guest appearances from Wizkid on “Gimme Dat” and Rema on “Who’s Dat Girl”, adding two of Afrobeats’ biggest names to the record.
With two successful studio albums already to her name and a growing global profile, “Starr Girl” marks another important chapter for the 23-year-old artist. As anticipation builds ahead of its arrival, fans can look forward to a 16-track project that pairs Ayra Starr with Wizkid and Rema while showcasing the next phase of her musical journey.
Music
Davido Unveils Oriadé Tracklist Featuring Black Sherif, Aya Nakamura and Leon Thomas
Nigerian music star Davido has officially revealed the tracklist for his upcoming album, “Oriadé”, giving fans a closer look at the collaborations that will feature on the 13-track project. The album is scheduled for release on Friday, July 31, 2026.

Photo: Instagram/@davido
The singer shared the tracklist on his social media platforms, confirming contributions from a mix of African and international artists. Among the featured names are Ghanaian musician Black Sherif, French-Malian singer Aya Nakamura and American singer-songwriter Leon Thomas. The album also includes contributions from Mayorkun, FOLA, Llona, JAZZWRLD, GL Ceejay and NO11.
Black Sherif appears on “Amazing Grace”, while Leon Thomas joins Davido on “Tell Everybody”. Aya Nakamura features on “10 Yaya”, marking another partnership between the two artists following their previous work together. Elsewhere on the album, Mayorkun and FOLA appear together on “B4 B4”, Llona features on “My Light”, and JAZZWRLD and GL Ceejay join Davido on “I Know Who I Be”. NO11 also features on “Gimme Dat Ting”.

Photo: Instagram
The complete tracklist includes “On The Road”, “Amazing Grace”, “Julie”, “Constantly”, “I Know Who I Be”, “Gimme Dat Ting”, “B4 B4”, “Already Falling”, “Tell Everybody”, “10 Yaya”, “Zanzibar”, “Guide” and “My Light”.
The tracklist offers a clearer picture of the direction of “Oriadé”, with Davido bringing together artists from different parts of Africa and beyond while also working with familiar faces from the Nigerian music scene. The album brings together familiar names and newer voices from Nigeria and beyond.

Photo: Instagram
“Oriadé” follows Davido’s previous studio albums, including “Timeless” and “5ive”, and arrives after months of teasers and updates from the singer. The rollout has included artwork, promotional videos and announcements that have steadily built anticipation ahead of the album’s release. Davido has described the project as a celebration of his 15th year in the music industry, saying the album marks a return to the high-energy African sound that has defined much of his career while demonstrating his growth as an artist.
With the full list of songs and guest appearances now public, attention is shifting to how the collaborations will come together when the album arrives on Friday, July 31. Tracks featuring Black Sherif, Aya Nakamura and Leon Thomas are already among the most talked-about, while fans are equally eager to hear Davido reunite with Mayorkun and introduce the other featured acts across the 13-song project.
Music
The Female Executives Shaping the Future of Nigerian Music
The global rise of Nigerian music has been driven not only by its artists but also by executives working behind the scenes, including women whose leadership is helping shape the industry’s growth. While artists are often the public faces of that success, executives negotiate deals, develop talent, build international partnerships and manage careers that keep the industry moving forward. Among them are women whose work continues to influence how Nigerian music is created, marketed and exported.
Here are some of the women working across different areas of the Nigerian music industry.
Temi Adeniji

Photo: Facebook
As Managing Director of Warner Music Africa and Senior Vice President, Strategy for Sub-Saharan Africa and Special Projects at Warner Music Group, Temi Adeniji oversees the company’s operations across the region. During her time at Warner Music, she has helped drive the company’s expansion in Africa through investments and partnerships, including a majority stake in Africori and a strategic alliance with Chocolate City. She has also been involved in the international growth of African artists, with Warner Music supporting the global rise of CKay’s Love Nwantiti, one of the biggest Afrobeats crossover records in recent years. Her work spans business strategy, artist development and long-term growth across African markets.
Rima Tahini

Photo: Instagram/@rimouuune
Rima Tahini is Senior Vice President, A&R and Creatives at Mavin Global. She joined the company after working on Kupanda Capital’s investment in Mavin before moving into artist and repertoire (A&R), where she steadily rose through the ranks. Today, she leads Mavin’s A&R and creative teams, working closely with artists on music development, release planning and creative direction. During her time at the label, Mavin artists including Rema and Ayra Starr have expanded their global reach through international chart success, award nominations and collaborations, reflecting the label’s growing influence in the global music business.
Ronami Ogulu

Photo: Instagram/@r0nami
Ronami Ogulu is part of the executive team at Spaceship Collective, the company that manages Burna Boy’s career. Her responsibilities include business operations, partnerships and long-term strategy for the Grammy-winning artist. During her time with Spaceship Collective, the company has overseen a period of significant international growth for Burna Boy, including major performances, sold-out tours and expanded global partnerships.
Vanessa Amadi-Ogbonna

Photo: Instagram/@missamadi
Vanessa Amadi-Ogbonna is the founder and Chief Executive Officer of VA PR, a public relations agency with clients across music, television and entertainment. Over the years, she has worked with artists including Davido and Tiwa Savage, helping shape media campaigns and public communications around major career moments. Her agency was involved in the public relations campaign for Davido’s landmark concert at The O2 Arena in London, one of several projects that strengthened the international visibility of Nigerian music.
Princess Chizaram

Photo: Instagram/@theradiochef
Princess Chizaram, popularly known as TheRadioChef, is an A&R Manager at Sony Music West Africa. In her role, she oversees the portfolios of artists including Qing Madi, Mayorkun, Gyakie and Oladapo, working across artist development and creative direction. She also served as a judge on the MTN Best of the Street talent competition, where she evaluated emerging musicians. In 2023, she was named among TurnTable Charts’ 30 Under 30 Power Players in Nigerian Music, recognising young professionals contributing to the growth of the industry.
Elizabeth Sobowale

Photo: Instagram/@elizabeth_sho
Elizabeth Sobowale is the founder of The Other Agency and the manager of Afrobeats singer Adekunle Gold. She has overseen his career through major projects, including the Catch Me If You Can (2022) and Tequila Ever After (2023) album campaigns, helping shape both his artistic direction and commercial brand. Beyond artist management, she serves as Programme Director of the Creative Business Academy (CBA) for Africa, formerly known as the Music Business Academy for Africa. The academy trains emerging professionals across the creative industries and has partnered with organisations such as Spotify to deliver industry-focused programmes and masterclasses.
Keke Hammond

Photo: Instagram/@kekehammond
Keke Hammond is the Chief Operating Officer of Flytime Promotions and the Chief Executive Officer of Road14 Studios. At Flytime, she oversees the operational planning, sponsorships and commercial partnerships behind some of Nigeria’s biggest live music events. Her work has been central to the growth of Flytime Fest, which has expanded into a multi-day festival featuring Nigerian and international artists, including Davido, Asake, Rema and Central Cee. Through her leadership on the business and production side, she has helped strengthen one of Africa’s most established live entertainment platforms.
The success of Nigerian music is often measured by chart performance, sold-out concerts and international awards. Behind many of those achievements, however, are executives handling negotiations, partnerships, publicity, career planning and business strategy. As Nigerian music continues to reach new audiences around the world, the industry’s future will depend not only on the artists on stage but also on the executives making key decisions behind the scenes.
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