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“28 Years Later” Trailer Review: Does It Live Up to the Hype?

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The first look at 28 Years Later arrives with a trailer that mixes quiet moments and sudden shocks. It opens with children watching Teletubbies, then cuts to a dark world haunted by the Rage virus. The voice-over—a 1915 recording of Rudyard Kipling’s poem “Boots”—sets an already strange and tense mood. In this review, we explore plot hints, character development, cinematography, and setting.

Expansion Of The Storyline

The film is set in 28 years after the virus outbreak. A group of survivors now lives on an island, separated from the mainland by a heavily guarded causeway. When a father and his son leave for the mainland, they encounter new horrors. They find smarter infected hunting in packs, distrustful survivor groups, unsettling truths about life beyond the fence. From the trailer, we catch quick glimpses—a boy learning survival skills, armed men guarding walls, and scenes hinting at shadowy scenes suggesting. While the trailer doesn’t reveal full plot details…but it shows that the it aims to examine the human condition in a world gone dark.

Meeting the Characters

We’re introduced to Jamie (Aaron Taylor-Johnson) and his son Spike (Alfie Williams) as they step into danger. The trailer shows Jamie teaching the boy to be cautious yet brave. We also glimpse Isla (Jodie Comer) and other characters like a possible cult leader (Jack O’Connell) and Dr. Kelson (Ralph Fiennes). From brief scenes, each character appears to carry emotional scars. The trailer teases inner conflicts – fear of loss, hope for a future, and moral tests when survivors clash. Even in short moments, these glimpses suggest that the film will allow its characters to evolve under pressure.

Danny Boyle reunites with cinematographer Anthony Dod Mantle, using a mix of cameras—including iPhones—for a raw, immediate feel. The trailer shows stark images: empty roads, towering fences, skull-stacked towers, burning graves, and misty forests. The use of close-ups and sudden cuts builds tension. The colour palette stays muted, punctuated by sharp flashes of red—blood, warning signs, danger. The lighting feels natural in many scenes: a soft sunset glow in one, flickering firelight in another. These choices create a world that feels both authentic and unsettling.

Setting Of The Movie

We glimpse a Britain reshaped by collapse: ruined buildings, wild fields, makeshift forts. The island refuge appears calm yet claustrophobic. The mainland seems more dangerous, with brutal weather, overgrown towns, and fragmented societies. The setting taps into real-world anxieties—disease, isolation, group conflicts. The trailer hints at varied locations: forests, fields, empty cities, fences under grey skies. This variety suggests a film that shifts in tone and tension.

Why You Shouldn’t Miss It

From what the trailer shows, 28 Years Later seems set to mix emotion and horror. It keeps the tense tone of the original while adding new features: smarter infected, complex survivors, and moral choices. Using the poem over the images is a bold choice. The characters seem ready to face real challenges beyond just running and fighting. Of course, a trailer can’t show everything the movie has to offer. But the hints of family bonds, human conflicts, and haunting visuals make me hopeful. If the movie balances scares with deeper questions, it could truly live up to the hype. For viewers who enjoy horror that makes them think, 28 Years Later looks like one to watch when it hits cinemas on June 20, 2025.

 

 

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Dede Ashiogwu Styles Herself in a Black Jumpsuit With White Lace Trim

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Photo: Instagram/@dedeashiogwu

Sometimes the simplest outfit says the most. In a recent post on Instagram, Dede Ashiogwu styled herself in a fitted black jumpsuit and let the white lace trim stand out. She captioned the post “I pull up like I own the city”.

The photos were taken on a night out. She wore a black sleeveless Oh Polly halter capri jumpsuit with a deep V neckline and thin straps. White lace ran along the neckline and the edges of the straps, following the dip of the V. The legs ended just below the knee, with another strip of white lace at each hem.

Photo: Instagram/@dedeashiogwu

She carried a fur structured clutch and wore a wide pearl bracelet.

Her hair was parted in the middle, with braids at the top that turned into long, loose waves past her shoulders. Her heels were Givenchy Shark Lock Heart sandals, with thick straps. Her makeup was soft, with warm tones and a nude pink lip.

Photo: Instagram/@dedeashiogwu

Her 16 September post kept the same black base, with an oversized pinstripe blazer worn open over a short black skirt, sheer thigh-high stockings and pointed patent heels. The lace is what sets the jumpsuit apart from that look, running along the neckline, the straps and both hems.

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Nancy Isime Set to Produce Her First Film

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Photo: Instagram/@nancyisimeofficial

Nancy Isime has built a career across modelling, television presenting and acting. After years in front of the camera, the Nollywood actress is preparing to take on a new role as an executive producer, applying her experience in the entertainment industry to a project of her own.

In an Instagram video shared on October 7, 2026, Isime announced the project and admitted that she was nervous about taking on the responsibility.

Photo: Instagram/@nancyisimeofficial

“This is my first production as executive producer. I can’t lie, I am nervous and wondering if I am ready, but I think it’s about time; I have also tried,” she said.

Isime also plans to document the production, giving fans a look at the process as the film takes shape. She intends to share updates on production meetings, creative decisions, successes and challenges along the way.

“My first film as an Executive Producer. And I want you to come along for the entire journey,” she added.

Photo: Instagram/@nancyisimeofficial

Her experience in television includes hosting The Nancy Isime Show, which launched in 2019. She also made her acting debut in the 2011 television series Echoes and has since appeared in Nollywood productions, including Blood Sisters, Shanty Town and The Wait.

Isime began her entertainment career as a model before moving into television presenting and acting, building experience across different parts of the industry before venturing into film production.

The film’s title, cast, storyline and release date have yet to be announced.

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“Dear Ajayi” Makes History as First Nigerian Production in Venice Days Competition | Watch Trailer

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“Dear Ajayi” Makes History as First Nigerian Production in Venice Damilola Orimogunje’s “Dear Ajayi” has been selected for the 2026 Giornate degli Autori, also known as Venice Days, at the 83rd Venice International Film Festival. The selection makes it the first Nigerian production to compete in the Venice Days section. The Nigeria-Germany co-production will have its world premiere as part of the competition.

Photo: 2o9ine Films

Set in 1990s southwestern Nigeria, “Dear Ajayi” follows two sisters, Ade and Titi Ajayi, whose lives have gone in very different directions. Ade is a committed Christian and the main breadwinner in the family, while Titi is an aspiring singer who has chosen a more independent path. When their paralysed mother requires care, the sisters have no choice but to come back together.

Orimogunje wrote and directed the film. The cast includes Bimbo Akintola as Ade and Tosin Adeyemi as Titi, alongside Lanre Hassan, William Benson, Antar Laniyan, Uzoamaka Power, Michelle Dede and Chioma Omeruah, (Chigul)

Photo: 2o9ine Films

Re Olunuga composed the music, while KC Obiajulu served as cinematographer. The film was produced by 2o9ine Films, with Mayana Films, Depth and Optics Productions and Zynox Productions joining as co-production partners.

The film received support from the Hubert Bals Fund+ Europe, while Luminalia is handling its world sales

Photo: 2o9ine Films

Ahead of its Venice premiere, the first trailer gives viewers a look at the Ajayi family and the strained relationship between the two sisters.

Dear Ajayi will have its press and industry screening on September 4, with public screenings scheduled for September 10 and 12 during Venice Days.

Watch the trailer below.

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