Entertainment
Everything You Missed from Wizkid’s G.O.A.T Experience
During the height of Detty December, Tafawa Balewa Square came alive for Wizkid’s G.O.A.T: The Greatest of All Time Experience, one of the most anticipated concerts of the year. Media coverage and official announcements confirmed the event, marking it as a headline performance in Lagos’s crowded year-end entertainment calendar.
By early evening, the venue was buzzing with energy. Longtime fans, younger listeners drawn by Wizkid’s international hits, and returnees in town for the holidays all filled the space. Observers noted that the crowd followed the performance closely, reacting to each song with attention rather than impulsive excitement.

Wizkid – Instagram
Wizkid took the stage without a long lineup of opening acts. According to attendee reports and media coverage, there were no widely publicised guest appearances during the performance. His setlist spanned his career, moving from early hits that prompted loud sing-alongs to newer tracks delivered steadily. In some sections, fans carried parts of featured verses themselves, underscoring the show’s solo-led focus.
The stage featured multiple levels and a dominant LED screen. Fans near the front enjoyed clear sightlines and strong sound, while those farther back relied on the screen. Reports and social media commentary highlighted that the visuals, which included abstract imagery for long stretches, occasionally drew attention away from the performer in distant sections.

Wizkid – Instagram
Post-event reactions captured the range of audience experiences. Some praised the show’s focus on Wizkid alone, while others noted challenges in visibility from the back. Discussions centred on engagement, sightlines, and how large venues influence the concert experience.
Organisers and city authorities confirmed additional transport and crowd control measures were implemented to manage turnout. Ticketing included an instalment payment option, publicly announced before the show, which some fans welcomed and others debated online. Both elements underscored the planning and logistics required for an event of this scale.

Wizkid – Instagram
The response to The G.O.A.T Experience shows that audiences now look for more than just star power. Attendance and engagement confirmed Wizkid’s draw, but visibility, access, and production matter just as much. How a performance reaches every corner of the venue is now a key measure of success.
For Lagos’s concert scene, the event sets a new standard for solo-led shows. It illustrates how production, venue size, and audience placement intersect, providing insight into what fans will expect from similar large-scale performances in the future.
Entertainment
Burna Boy Becomes First Nigerian Artist to Surpass 4 Billion YouTube Views
Burna Boy has crossed another major digital milestone, becoming the first Nigerian artist to surpass four billion total views on YouTube.
The milestone was reported on September 3, 2026, after the combined views on the singer’s official YouTube channel surpassed four billion. The figure covers music videos and other content uploaded to the channel.

Photo: Instagram/@burnaboygram
At the time of the reports, Burna Boy’s official channel had recorded more than 4.02 billion views and had over 7.21 million subscribers.
Some of the singer’s most watched videos include “On The Low,” “Ye,” “Last Last” and “For My Hand,” his collaboration with British singer Ed Sheeran.
The latest figure also extends a record Burna Boy first set in 2021, when he became the first Nigerian artist to cross one billion total YouTube views. Five years later, he has reached four times that figure.

Photo: Instagram/@burnaboygram
The increase highlights Burna Boy’s rise from Nigeria’s music scene to one of Africa’s most internationally recognised artists. His songs have found audiences across Africa, Europe and North America, while his music videos have continued to attract viewers long after their release.
Born Damini Ebunoluwa Ogulu, Burna Boy has connected Nigerian sounds with audiences outside the country. His album African Giant, released in 2019, earned a Grammy nomination for Best World Music Album, while Twice as Tall won the same award at the 63rd Grammy Awards in 2021.
As of the reports announcing the milestone, Burna Boy has not publicly commented on the achievement. The figure was recorded through tracking of his official YouTube channel.
Entertainment
Funke Akindele Releases First Images of ‘The Four’
Funke Akindele has released the first images from her upcoming film, “The Four: No One Fights Alone”, giving audiences a closer look at the cast ahead of its December cinema release.
The actress and filmmaker shared the images on September 1, featuring herself alongside several members of the film’s ensemble cast.
The released images feature Akindele alongside Richard Mofe-Damijo (RMD), Timini Egbuson, Bisola Aiyeola, Chioma Akpotha, Lateef Adedimeji, Ali Nuhu and Uzor Arukwe. Ronke Oshodi Oke and Wunmi Toriola are also among the cast.
Akindele accompanied the images with a caption describing the film as a story filled with “friendship, laughter, tension, secrets and everything in between.” She also confirmed that The Four will arrive in cinemas on December 11.

Photo: Instagram/@funkejenifaakindele
The first-look release comes shortly after Akindele announced the film and unveiled its cast in August. “The Four” is a drama set between the Odu community and the city, following Esosa and three women who are closely connected to her as they fight for the future of a young man they love. Their journey puts their friendship, courage, faith and loyalty to the test.
Music is also part of the film’s build-up, with Akindele, Waje, Bisola Aiyeola and Chioma Chukwuka joining forces on “Ore Mi”, one of the soundtracks for The Four. Produced by Tyanx, the song draws on the film’s themes of friendship, love and the bond between close friends. Akindele said the recording was inspired by the folktale-style storytelling through music that many Nigerians grew up with, making the song an extension of the relationships at the centre of the film.
“The Four: No One Fights Alone” is produced by Funke Akindele Network (FAAN TV) and distributed by FilmOne Entertainment. The film is scheduled to open in cinemas globally on December 11, 2026.
More pictures below:

Photo: Instagram/@funkejenifaakindele

Photo: Instagram/@funkejenifaakindele

Photo: Instagram/@funkejenifaakindele
Entertainment
Funke Akindele’s ‘The Four’ Sets December 11 Release Date
Nollywood actress and filmmaker Funke Akindele is set to return to cinemas with her latest feature film, “The Four: No One Fights Alone”, which will be released on December 11, 2026. The film is being produced by Funke Akindele Network (FAAN TV) and distributed exclusively by FilmOne Entertainment.

Photo: Instagram/@funkejenifaakindele
Akindele announced the project on Monday, August 10, unveiling both the title and the ensemble cast ahead of its December cinema release. The film tells the story of Esosa and three women whose lives become tied to the future of a young man they care about. Their loyalty to him puts their friendship and personal convictions under pressure as they navigate challenges between the Odu community and the city.
The film also draws on Nigerian cultural elements, with music, fashion, language and traditional settings incorporated into the production. Rather than focusing solely on the four central women, the story places their relationships and the choices they make at the heart of the film.

Photo: Instagram/@funkejenifaakindele
Akindele takes on multiple responsibilities on the production, serving as the writer, director and producer of “The Four”.
The cast features Akindele alongside Bisola Aiyeola, Chioma Akpotha, Richard Mofe-Damijo, Timini Egbuson, Lateef Adedimeji, Ali Nuhu, Uzor Arukwe, Ronke Oshodi-Oke, Antar Laniyan and Wunmi Toriola. Singer Waje and Afrobeats artist Shoday are also part of the cast, alongside entertainment personalities Samuel Banks, Kolapo Omotosho and Ayomide Iwasokun.

Photo: Instagram/@funkejenifaakindele
The December release comes after a series of commercially successful cinema releases for Akindele. Her recent films include “Battle on Buka Street”, “A Tribe Called Judah” and “Behind The Scenes”. In January 2026, the National Film and Video Censors Board said “Behind The Scenes” had surpassed ₦2.4 billion at the Nigerian box office.
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