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Radio Voice Trailer Review

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The moment you hear the first crackling of static followed by a captivating, deep voice on the radio, you know Radio Voice isn’t your average Nollywood movie. In a world where the art of storytelling often intertwines with melodrama, Radio Voice dares to take a different route. Directed by the legendary Richard Mofe-Damijo (RMD), Radio Voice is set in Nigerian city where secrets travel through frequencies and every word broadcasted can spark change or chaos.

The film follows a passionate and conflicted radio presenter, played by Timini Egbuson, whose rise to fame is shadowed by secrets that threaten to destroy everything he has built.

 

From the beginning, the plot is captivating. When a supposedly straightforward radio gig draws him into a scandal involving a terminally ill woman and a desperate crime, the protagonist is faced with a whirlwind of moral choices. At its core, the film isn’t just about the radio, it’s about what happens when the truth is too loud to ignore.

What makes Radio Voice different is its embrace of real-life societal issues, especially its sensitive and powerful treatment of cancer, a theme not often represented in Nigerian cinema. The storyline involving a struggling couple, one of whom is terminally ill, adds emotional depth and urgency to the plot. Their plan for a heist, sparked by despair and love, reflects the real, raw choices people make when systems fail them. The film doesn’t exploit the illness, it humanizes it, giving it voice in a society where many suffer in silence.

 

Deyemi Okanlanwo

Deyemi Okanlawon

Deyemi Okanlawon plays Andy Da, a role he completely owns with an intense, grounded performance. His portrayal of a man battling with inner turmoil, desperation, and love makes him one of the film’s most compelling characters. His energy is raw, his magnetic presence reminds us again why he is one of Nollywood’s finest.

 

Nse Ikpi-Etim

Nse Ikpi-Etim

Then there’s the elegant and always powerful Nse Ikpe-Etim, who plays a quiet force in the narrative. The character you would want to sympathize with, she is the victim of cancer in the movie. Her role, while not overly loud, adds balance and wisdom to the chaos around her. She represents the voice of reason, the one who sees beyond the noise. As always, Nse doesn’t just act, she embodies her character, grounding the story with emotional authenticity.

 

Damilola Adegbite

Damilola Adegbite

Damilola Adegbite also shines, bringing warmth and strength to a character who is central to the emotional unraveling of the film. Her presence is graceful, and she delivers her lines with sincerity, pulling us into the emotional gravity of her choices. Though her screen time may be limited compared to others, but she makes every second count.

And of course, Richard Mofe-Damijo (RMD), besides directing, also steps in front of the camera in a role that echoes experience, power, and quiet danger. His character holds secrets, and his scenes are soaked with tension. He reminds us of the influence age and experience bring in a youth-driven world of fast fame and quicker consequences.

 

Nancy Isime

Nancy Isime

The chemistry between Timini and Nancy Isime (who plays his love interest) is one of the film’s highlights. Their relationship is beautifully flawed, filled with ambition, trust issues, and the pressure of living public lives. Their romantic subplot doesn’t feel like filler, it is an important subplot essential to the lead character’s choices and conflicts.

Cinematically, the film is a feast. From the beautifully captured scenes to the intimate close-ups shot that lead us into every single moment in the movie, the cinematography enhances the story’s emotional pull. The radio booth becomes more than a set, it’s a stage where truths are told, lives are changed, and voices are set free.

 

Timini

Timini Egbuson

One minor issue lies in the pacing. The middle segment lingers a bit too long on side conversations that slightly delay the narrative drive. Also, a secondary character, the best friend to Timini’s character, seems underdeveloped. We are left craving for more background story or to understand their role in the protagonist’s development.

Still, these minor issues don’t weaken the film’s impact. The sound design is brilliant, especially the way the radio voice hums subtly behind scenes, reminding us of its ever-present influence. The soundtrack, a mix of Afrobeat,  soulful music, and atmospheric tones, matches the shifting emotions perfectly.

Above all, Radio Voice is a relatable narrative. Who hasn’t battled between ambition and morality, between protecting someone you love and doing what’s “right”? Who hasn’t been affected, directly or indirectly, by the shadow of illness in a society where healthcare is a privilege, not a right? The film asks big questions, not with preachiness, but with empathy.

 

Radio voice

Radio voice

In Nollywood  where stories are predictable, Radio Voice takes a bold leap into layered storytelling, relevant themes, and soul-touching performances. It reminds us that behind every voice is a story, and some stories, no matter how painful, must be told.

On April 11, Radio Voice will  hit the cinemas nationwide. If you’re craving a movie that’s not only entertaining but deeply human, mark your calendar. This is one Nollywood best that will stay with you long after you finish seeing it.

Also read:“Everybody loves Jenifa” Movie Review

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Osas Ighodaro Makes Bollywood Debut in Lead Role for Nolly-Bollywood Series.

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Photo: Instagram

Nigerian-American actress and television host Osas Ighodaro is set to make her Bollywood debut as a lead actor in “Imported Bahu”, a new Nolly-Bollywood micro-drama series that brings together talents from Nigeria and India. The project was officially announced by filmmaker and executive producer Hamisha Daryani Ahuja, who has previously worked on productions that combine elements of both film industries.

Photo: Instagram

In the series, Osas stars alongside Indian actor and model Rajniesh Duggall. “Imported Bahu” centres on Zara Ogun, a Nigerian multimillionaire and chief executive who marries into a wealthy Indian family. As she navigates life in a new environment, she faces challenges related to acceptance, cultural differences and family expectations. The storyline explores themes of identity, relationships and cross-cultural understanding.

The production is described as a vertical micro-drama, a format designed for mobile viewing in which episodes are presented in a portrait orientation and are considerably shorter than traditional television episodes. The series is the first vertical micro-drama produced by Forever 7 Entertainment and reflects the growing popularity of short-form storytelling aimed at digital audiences.

“Imported Bahu” is scheduled to premiere on July 2, 2026, exclusively on LebaraPlay, a platform described as Africa’s first telecom-owned micro-drama streaming service. The announcement was made through social media, where Hamisha Daryani Ahuja introduced the project and released its trailer.

For Osas Ighodaro, the role marks another international addition to a career that has spanned acting, television hosting and film production. She has built a strong presence in Nollywood over the years, earning recognition for performances in projects such as “Rattlesnake: The Ahanna Story” and “Man of God“, both of which contributed to her reputation as one of the industry’s notable performers.

The project also highlights ongoing collaborations between Nollywood and Bollywood. In recent years, filmmakers from both industries have increasingly explored stories that connect African and Indian cultures, creating opportunities for actors to reach wider audiences beyond their home markets. “Imported Bahu” adds to that growing list by placing a Nigerian actress at the centre of a story built around two different cultural worlds.

Rather than a traditional film release, the series introduces Osas Ighodaro to Bollywood through a digital-first format that reflects changing viewing habits and the increasing demand for short-form international content.

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Tems Confirmed to Perform at the 2026 BET Awards.

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Photo: Instagram

Nigerian singer and songwriter Tems has been confirmed as one of the performers at the 2026 BET Awards. BET announced the first lineup of performers on June 17, revealing that the Grammy-winning artist will take the stage at the ceremony scheduled for Sunday, June 28, at the Peacock Theater in Los Angeles.

Tems is set to appear alongside artists such as Cardi B, Doechii, Queen Latifah, Jill Scott, Kehlani, Rick Ross, T.I., Common, Don Toliver and French Montana, unveiled by BET for this year’s edition. The event will be hosted by comedian and entertainer Druski, with MC Lyte returning as announcer. The annual ceremony honours achievements in music, film, television and sports, bringing together both established acts and rising figures across the entertainment industry.

Photo: Instagram

Her performance announcement follows her three nominations at the 2026 BET Awards, placing her among the most recognised Nigerian artists this year. She is nominated in the Best Female R&B/Pop Artist category, the BET Her Award for her song “First”, and the Viewers’ Choice Award for “Raindance”, her collaboration with British rapper Dave.

In recent years, Tems has become a consistent presence on major international stages, and her appearance at the 2026 BET Awards adds another notable international appearance to her growing list of global engagements. The performance is expected to reach viewers across multiple markets as the ceremony celebrates achievements across entertainment.

Photo: Instagram

The 2026 BET Awards will air live on Sunday, June 28, from the Peacock Theater in Los Angeles at 8PM ET. The show will feature performances, award presentations and tributes, gathering artists and industry figures from different parts of the entertainment space.

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The Headies Awards Heads to Canada for Its 18th Edition.

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Photo: Instagram

The Headies Awards is set to cross another international border as organisers have announced that its 18th edition will take place in Toronto, Canada. The announcement was made on June 15, 2026, during a special event tagged “The Big Announcement” held at Eko Hotels and Suites in Lagos.

The founder of Headies, Ayo Animashaun, revealed that while the main ceremony will be hosted in Toronto, Nigerian audiences will remain part of the experience through a live watch party in Lagos. The arrangement is aimed at keeping local fans connected to the event despite its overseas location.

Photo: Instagram

This year’s edition also arrives at a significant moment for The Headies, which is celebrating 20 years since its launch in 2006. The Headies has grown into one of Africa’s most recognised music award platforms, honouring outstanding achievements across the Nigerian and African music industries. It was originally known as the Hip Hop World Awards before adopting its current name. Over the years, the ceremony has celebrated artists, producers, songwriters and other contributors shaping contemporary African music.

This will not be the first time the awards are taking place outside Nigeria. The 15th edition was held in Atlanta, United States, in 2022, followed by the 16th edition in the same city in 2023. The event returned to Lagos for its 17th edition in April 2025 under the theme “Back to Base.”

Addressing concerns about moving the ceremony abroad again, Animashaun explained that economic realities and the need to sustain the awards played a role in the decision. He also stressed that taking the event overseas should not be interpreted as abandoning its Nigerian roots, especially with plans already in place to involve audiences in Lagos through a simultaneous viewing experience.

Photo: Instagram

The organisers also announced plans for the inaugural Headies Trade and Investment Summit, an initiative designed to bring together investors, policymakers, business leaders and stakeholders within the creative industry. The summit is expected to explore opportunities that could support long-term growth in Nigeria’s entertainment sector.

Canada’s Deputy High Commissioner to Nigeria, Carlos Rojas-Arbulu, who attended the event, pointed to the increasing presence of Nigerian artists in Canada. He noted that performers such as Wizkid, Davido, Burna Boy, Olamide, Asake, Ayra Starr, Shallipopi and Reekado Banks have all recently performed in the country, reflecting the growing demand for Nigerian music internationally.

As preparations begin for the 18th edition, organisers are expected to release more information in the coming months, including the event date, nominees and activities leading up to the ceremony. With Toronto confirmed as the host city, The Headies continues its effort to expand its international footprint while maintaining a connection to the audience that has supported it for nearly two decades.

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