Connect with us

Music

Adekunle Gold ft. Davido – “Only God Can Save Me” Video Raises the Stakes

Published

on

Photo Credit - Instagram

Adekunle Gold has released the official video for “Only God Can Save Me,” his collaboration with Davido, and the visual leans heavily on a structured storyline. The video presents a staged dating-show format where both artists are placed at the centre of a competitive environment designed to test attention, attraction, and personal discipline. That narrative structure gives the release a defined storyline and makes the viewing experience easy to follow even without focusing closely on the lyrics.

Adekunle Gold – Instagram

The concept is built around a fictional televised contest. A group of women compete for time and approval from the two stars, with judges, set lighting, and exaggerated reactions reinforcing the feel of a studio production. The setting mirrors the way celebrity romance is often packaged as entertainment. By placing themselves inside a mock competition, Adekunle Gold and Davido play exaggerated versions of public personas that fans already recognise. The structure keeps the pacing tight and allows the humour in the situation to carry the video.

Production design is a major driver of the visual appeal. The set uses bold colours, symmetrical staging, and controlled camera movement to maintain a game-show atmosphere from start to finish. Wardrobe styling is coordinated to match the artificial tone of the environment, separating the video from the street-style realism common in many Afropop visuals. Dance segments are brief and intentional, serving as transitions between scenes rather than standalone showcases.

Davido – Instagram

On the audio side, the track pairs layered percussion with a steady Afropop groove that leaves space for vocal delivery. Adekunle Gold opens with a relaxed cadence that frames the theme as a personal confession about distraction and temptation. Davido follows with a more forceful entry that raises the energy without changing the song’s core rhythm. The contrast in their vocal textures keeps the collaboration balanced and prevents the record from feeling one-dimensional.

The chorus centres on the repeated line “only God can save me,” presented as an admission of limits rather than a religious statement. The lyrics acknowledge desire and ego in plain terms, connecting the theme of the song directly to the scenario shown on screen. Instead of separating the message from the visuals, the video reinforces the idea that constant attention can blur personal boundaries.

Adekunle Gold – Instagram

In the context of Adekunle Gold’s recent releases, the single continues his pattern of combining pop accessibility with references to everyday social behaviour. Bringing Davido onto the track broadens its reach and positions the collaboration as a meeting point between two major strands of contemporary Nigerian pop. Both artists use the concept to comment lightly on fame without stepping outside the entertainment format.

The final result is a video that treats celebrity as a staged performance and invites viewers to watch the exaggeration unfold. The controlled setting, consistent pacing, and clear theme give the release a recognisable identity. Unlike many recent Afropop videos that focus on luxury settings, this video centres on a staged dating-show concept, providing a memorable hook that keeps the visual tied closely to the song’s message.

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

− one = six
Powered by MathCaptcha

Music

Is There a Deeper Story Behind Tems and Dave’s “Raindance”?

Published

on

Photo Credit - Instagram

When Dave and Tems released Raindance on Dave’s third studio album, Hold Tight, it quickly became a viral hit across streaming platforms and sparked discussion among listeners worldwide. But the song’s appeal goes beyond its catchy melody and rhythmic production. It reflects a deeper exploration of emotional vulnerability, personal history, and connection between two artists whose collaboration resonates on multiple levels.

Dave, a British rapper known for storytelling grounded in real-life experience, and Tems, a Nigerian singer whose voice has become central to contemporary Afrobeats and soul, approached the track as a genuine creative partnership. This is more than a typical feature; it is an exchange of perspectives and styles. Tems has noted that she trusts Dave in the studio, and the recording process involved real engagement, improvisation, and mutual understanding. This authenticity is evident in the track’s intimate tone.

Dave – Instagram

The rain imagery in Raindance is not just part of the song’s visual style. It serves as a metaphor for navigating uncertainty and emotional complexity. Dave’s verses detail guardedness, the challenge of opening up to someone new, and the desire to reshape personal narratives around connection and intimacy. Rain represents the work required to confront past experiences and allow vulnerability to emerge.

Tems’ contributions are essential to this dynamic. Her chorus provides a counterpoint to Dave’s introspection, conveying certainty, attentiveness, and emotional presence. Together, their interplay transforms the song into a dialogue rather than a one-sided reflection. Listeners witness two perspectives negotiating trust, openness, and mutual understanding.

Tems – Instagram

The Raindance music video further emphasizes this interaction. The visual storytelling, including shared space under open skies, subtle glances, and movement through water, reinforces the tension and chemistry in the song without confirming any real-life romance. The ambiguity encourages the audience to focus on the emotional exchange itself rather than speculation about the artists’ personal lives.

Dave – Instagram

At a time when much mainstream music focuses on high-energy hits or immediate gratification, Raindance stands out by exploring hesitation and openness simultaneously. It does not offer easy answers about love or relationships. Instead, it reflects the complexity of emotional negotiation, the work of letting someone in, and the shared effort required to build connection.

Ultimately, Raindance is a study of emotional rhythm and collaboration. It shows how two artists can navigate personal histories, trust, and vulnerability together, creating a track that resonates because it captures the subtleties of human connection, while keeping listeners engaged with a sound that is both immediate and layered.

Continue Reading

Music

Ayra Starr, Tyla, Moliy and Shaboozey Earn 2026 iHeartRadio Music Awards Nominations

Published

on

Photo credit - Goggle

The 2026 iHeartRadio Music Awards nominations were announced, and Nigerian singer Ayra Starr, South African star Tyla, Ghanaian-American artist Moliy, and Nigerian-American singer Shaboozey were all nominated.

For Nigerian fans, Ayra Starr’s nomination has particular significance. Songs like Rush have stayed in global radio and streaming circulation, and her inclusion places her among some of the biggest names in world music.

Photo Credit – Pinterest

Tyla appears in the same category. The South African singer has helped take amapiano into global pop spaces and her nomination reflects how widely the sound has spread.

Photo Credit – Pinterest

This year, Moliy earned multiple nominations, including World Artist of the Year and Best New Artist (Hip-Hop). Her music spans multiple genres , and the recognition points to her growing reach outside Africa.

Photo Credit – Pinterest

Shaboozey is nominated for Song of the Year with “A Bar Song” (Tipsy). It is uncommon to see an artist with African roots recognised in a U. S-centric award space, which makes his inclusion notable.

Photo Credit – Pinterest

A few years ago, this mix would have seemed unlikely.

The awards ceremony will take place on March 26, 2026. With Ayra Starr, Tyla, Moliy, and Shaboozey on the list, African artists are firmly part of the global awards conversation.

Continue Reading

Music

Adekunle Gold Honoured With Plaque After Historic Sold-Out Night at the National Theatre

Published

on

Adekunle Gold became the first artiste to sell out the newly renovated National Theatre, following it’s renaming as the Wole Soyinka centre for culture and creative arts. His concert on December 26, 2025, filled the 3,500-capacity hall just weeks after it’s reopening.

The performances spanned all six albums, with a strong focus on his Fuji project. The 55-piece MUSON Orchestra joined his band, The 79th Element, enhancing the richness of the life performance. Olamide hosted. Davido performed Only God Can Save Me, while Adewale Ayuba and Yinka Ayefele joined the lineup.

Adekunle Gold – Instagram

After the show, Adekunle gold received plaques. One honoured him as the venues first sell-out headliner, while the other was presented to his label. He later thanked fans on social media and announced dates for his North America tour.

Social media quickly filled with videos of the orchestra and guest appearances, with fans describing the night as a key moment for live shows in Lagos.

With improved sound and seating, the National Theatre is once again hosting major acts. Adekunle Gold’s set ran for over two hours, blending fuji, highlife, and afrobeats.

The crowd sang along to hits like High as well as new Fuji tracks, with lights and screens moving in sync with the music.

Adekunle Gold – Instagram

The plaque ceremony took place backstage, where officials from the Wole Soyinka Centre for Culture and Creative Arts handed them over. Photos from the moment spread across Instagram and X (formerly Twitter), as fans trended #AGNationalTheatre.

Fans have since described the show as setting a new standard for concerts. Lagos venues are already booking more dates. Adekunle Gold is set to release new music in 2026, with North America tour dates beginning soon.

Continue Reading

Trending