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Adekunle Gold ft. Davido – “Only God Can Save Me” Video Raises the Stakes

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Photo Credit - Instagram

Adekunle Gold has released the official video for “Only God Can Save Me,” his collaboration with Davido, and the visual leans heavily on a structured storyline. The video presents a staged dating-show format where both artists are placed at the centre of a competitive environment designed to test attention, attraction, and personal discipline. That narrative structure gives the release a defined storyline and makes the viewing experience easy to follow even without focusing closely on the lyrics.

Adekunle Gold – Instagram

The concept is built around a fictional televised contest. A group of women compete for time and approval from the two stars, with judges, set lighting, and exaggerated reactions reinforcing the feel of a studio production. The setting mirrors the way celebrity romance is often packaged as entertainment. By placing themselves inside a mock competition, Adekunle Gold and Davido play exaggerated versions of public personas that fans already recognise. The structure keeps the pacing tight and allows the humour in the situation to carry the video.

Production design is a major driver of the visual appeal. The set uses bold colours, symmetrical staging, and controlled camera movement to maintain a game-show atmosphere from start to finish. Wardrobe styling is coordinated to match the artificial tone of the environment, separating the video from the street-style realism common in many Afropop visuals. Dance segments are brief and intentional, serving as transitions between scenes rather than standalone showcases.

Davido – Instagram

On the audio side, the track pairs layered percussion with a steady Afropop groove that leaves space for vocal delivery. Adekunle Gold opens with a relaxed cadence that frames the theme as a personal confession about distraction and temptation. Davido follows with a more forceful entry that raises the energy without changing the song’s core rhythm. The contrast in their vocal textures keeps the collaboration balanced and prevents the record from feeling one-dimensional.

The chorus centres on the repeated line “only God can save me,” presented as an admission of limits rather than a religious statement. The lyrics acknowledge desire and ego in plain terms, connecting the theme of the song directly to the scenario shown on screen. Instead of separating the message from the visuals, the video reinforces the idea that constant attention can blur personal boundaries.

Adekunle Gold – Instagram

In the context of Adekunle Gold’s recent releases, the single continues his pattern of combining pop accessibility with references to everyday social behaviour. Bringing Davido onto the track broadens its reach and positions the collaboration as a meeting point between two major strands of contemporary Nigerian pop. Both artists use the concept to comment lightly on fame without stepping outside the entertainment format.

The final result is a video that treats celebrity as a staged performance and invites viewers to watch the exaggeration unfold. The controlled setting, consistent pacing, and clear theme give the release a recognisable identity. Unlike many recent Afropop videos that focus on luxury settings, this video centres on a staged dating-show concept, providing a memorable hook that keeps the visual tied closely to the song’s message.

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Music

Ayra Starr Announces Third Studio Album ‘Starr Girl’

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Photo: Instagram/@ayrastarr

Ayra Starr has officially unveiled her third studio album, “Starr Girl”, giving fans their first confirmed look at the project she has been teasing for months.

The Nigerian singer shared the news during an appearance on The Jennifer Hudson Show, where she confirmed that “Starr Girl” will be be released on August 14. Speaking about the album, Ayra said she was proud of the work she had put into it, describing it as a deeply personal record that reflects where she is in her career.

Photo: Instagram/@ayrastarr

“My album, ‘Starr Girl’… I’m so proud of this body of work. I put everything into it, and I can’t wait for the world to hear it,” she said during the interview.

“Starr Girl” follows her debut album, “19 & Dangerous (2021)”, and her sophomore effort, “The Year I Turned 21 (2024)”, both of which helped establish her as one of Africa’s leading contemporary music stars. Since then, Ayra Starr has expanded her audience well beyond Nigeria through international tours, festival appearances and collaborations with artists from different parts of the world.

Photo: Instagram/@ayrastarr

The new album arrives after months of speculation from fans, who had closely followed her studio updates and social media hints. Earlier interviews also revealed that she had been recording new music and exploring fresh ideas for the project, although she kept the album title under wraps until the official announcement.

One of the songs already linked to the album is “Where Do We Go”, which Ayra Starr performed during her appearance on The Jennifer Hudson Show. The performance offered viewers an early taste of the direction she is taking on the new record.

In recent days, the singer has also begun counting down to the album’s release across her social media platforms, sharing teaser clips while continuing her recovery after recently undergoing surgery.

Photo: Instagram/@ayrastarr

Released through Mavin Records, with international backing from Roc Nation, the 16-track project features guest appearances from Wizkid on “Gimme Dat” and Rema on “Who’s Dat Girl”, adding two of Afrobeats’ biggest names to the record.

With two successful studio albums already to her name and a growing global profile, “Starr Girl” marks another important chapter for the 23-year-old artist. As anticipation builds ahead of its arrival, fans can look forward to a 16-track project that pairs Ayra Starr with Wizkid and Rema while showcasing the next phase of her musical journey.

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Davido Unveils Oriadé Tracklist Featuring Black Sherif, Aya Nakamura and Leon Thomas

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Photo: Instagram/@davido

Nigerian music star Davido has officially revealed the tracklist for his upcoming album, “Oriadé”, giving fans a closer look at the collaborations that will feature on the 13-track project. The album is scheduled for release on Friday, July 31, 2026.

Photo: Instagram/@davido

The singer shared the tracklist on his social media platforms, confirming contributions from a mix of African and international artists. Among the featured names are Ghanaian musician Black Sherif, French-Malian singer Aya Nakamura and American singer-songwriter Leon Thomas. The album also includes contributions from Mayorkun, FOLA, Llona, JAZZWRLD, GL Ceejay and NO11.

Black Sherif appears on “Amazing Grace”, while Leon Thomas joins Davido on “Tell Everybody”. Aya Nakamura features on “10 Yaya”, marking another partnership between the two artists following their previous work together. Elsewhere on the album, Mayorkun and FOLA appear together on “B4 B4”, Llona features on “My Light”, and JAZZWRLD and GL Ceejay join Davido on “I Know Who I Be”. NO11 also features on “Gimme Dat Ting”.

Photo: Instagram

The complete tracklist includes “On The Road”, “Amazing Grace”, “Julie”, “Constantly”, “I Know Who I Be”, “Gimme Dat Ting”, “B4 B4”, “Already Falling”, “Tell Everybody”, “10 Yaya”, “Zanzibar”, “Guide” and “My Light”.

The tracklist offers a clearer picture of the direction of “Oriadé”, with Davido bringing together artists from different parts of Africa and beyond while also working with familiar faces from the Nigerian music scene. The album brings together familiar names and newer voices from Nigeria and beyond.

Photo: Instagram

“Oriadé” follows Davido’s previous studio albums, including “Timeless” and “5ive”, and arrives after months of teasers and updates from the singer. The rollout has included artwork, promotional videos and announcements that have steadily built anticipation ahead of the album’s release. Davido has described the project as a celebration of his 15th year in the music industry, saying the album marks a return to the high-energy African sound that has defined much of his career while demonstrating his growth as an artist.

With the full list of songs and guest appearances now public, attention is shifting to how the collaborations will come together when the album arrives on Friday, July 31. Tracks featuring Black Sherif, Aya Nakamura and Leon Thomas are already among the most talked-about, while fans are equally eager to hear Davido reunite with Mayorkun and introduce the other featured acts across the 13-song project.

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The Female Executives Shaping the Future of Nigerian Music

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Photo: Instagram/@kekehammond

The global rise of Nigerian music has been driven not only by its artists but also by executives working behind the scenes, including women whose leadership is helping shape the industry’s growth. While artists are often the public faces of that success, executives negotiate deals, develop talent, build international partnerships and manage careers that keep the industry moving forward. Among them are women whose work continues to influence how Nigerian music is created, marketed and exported.

Here are some of the women working across different areas of the Nigerian music industry.

Temi Adeniji

Photo: Facebook

As Managing Director of Warner Music Africa and Senior Vice President, Strategy for Sub-Saharan Africa and Special Projects at Warner Music Group, Temi Adeniji oversees the company’s operations across the region. During her time at Warner Music, she has helped drive the company’s expansion in Africa through investments and partnerships, including a majority stake in Africori and a strategic alliance with Chocolate City. She has also been involved in the international growth of African artists, with Warner Music supporting the global rise of CKay’s Love Nwantiti, one of the biggest Afrobeats crossover records in recent years. Her work spans business strategy, artist development and long-term growth across African markets.

Rima Tahini

Photo: Instagram/@rimouuune

Rima Tahini is Senior Vice President, A&R and Creatives at Mavin Global. She joined the company after working on Kupanda Capital’s investment in Mavin before moving into artist and repertoire (A&R), where she steadily rose through the ranks. Today, she leads Mavin’s A&R and creative teams, working closely with artists on music development, release planning and creative direction. During her time at the label, Mavin artists including Rema and Ayra Starr have expanded their global reach through international chart success, award nominations and collaborations, reflecting the label’s growing influence in the global music business.

Ronami Ogulu

Photo: Instagram/@r0nami

Ronami Ogulu is part of the executive team at Spaceship Collective, the company that manages Burna Boy’s career. Her responsibilities include business operations, partnerships and long-term strategy for the Grammy-winning artist. During her time with Spaceship Collective, the company has overseen a period of significant international growth for Burna Boy, including major performances, sold-out tours and expanded global partnerships.

Vanessa Amadi-Ogbonna

Photo: Instagram/@missamadi

Vanessa Amadi-Ogbonna is the founder and Chief Executive Officer of VA PR, a public relations agency with clients across music, television and entertainment. Over the years, she has worked with artists including Davido and Tiwa Savage, helping shape media campaigns and public communications around major career moments. Her agency was involved in the public relations campaign for Davido’s landmark concert at The O2 Arena in London, one of several projects that strengthened the international visibility of Nigerian music.

Princess Chizaram

Photo: Instagram/@theradiochef

Princess Chizaram, popularly known as TheRadioChef, is an A&R Manager at Sony Music West Africa. In her role, she oversees the portfolios of artists including Qing Madi, Mayorkun, Gyakie and Oladapo, working across artist development and creative direction. She also served as a judge on the MTN Best of the Street talent competition, where she evaluated emerging musicians. In 2023, she was named among TurnTable Charts’ 30 Under 30 Power Players in Nigerian Music, recognising young professionals contributing to the growth of the industry.

Elizabeth Sobowale

Photo: Instagram/@elizabeth_sho

Elizabeth Sobowale is the founder of The Other Agency and the manager of Afrobeats singer Adekunle Gold. She has overseen his career through major projects, including the Catch Me If You Can (2022) and Tequila Ever After (2023) album campaigns, helping shape both his artistic direction and commercial brand. Beyond artist management, she serves as Programme Director of the Creative Business Academy (CBA) for Africa, formerly known as the Music Business Academy for Africa. The academy trains emerging professionals across the creative industries and has partnered with organisations such as Spotify to deliver industry-focused programmes and masterclasses.

Keke Hammond

Photo: Instagram/@kekehammond

Keke Hammond is the Chief Operating Officer of Flytime Promotions and the Chief Executive Officer of Road14 Studios. At Flytime, she oversees the operational planning, sponsorships and commercial partnerships behind some of Nigeria’s biggest live music events. Her work has been central to the growth of Flytime Fest, which has expanded into a multi-day festival featuring Nigerian and international artists, including Davido, Asake, Rema and Central Cee. Through her leadership on the business and production side, she has helped strengthen one of Africa’s most established live entertainment platforms.

The success of Nigerian music is often measured by chart performance, sold-out concerts and international awards. Behind many of those achievements, however, are executives handling negotiations, partnerships, publicity, career planning and business strategy. As Nigerian music continues to reach new audiences around the world, the industry’s future will depend not only on the artists on stage but also on the executives making key decisions behind the scenes.

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