Cynthia Erivo received a royal honour for her contributions to musical arts on May 19, 2026, where she was made a Member of the Order of the British Empire at an investiture ceremony at Windsor Castle. The award was presented to her by Prince William.

When the honor was first announced at the end of 2025, Erivo spoke about the news in a statement. She said “To be given this recognition to celebrate the work that I love to do within the arts, specifically music and drama, is an honor I could never have thought would happen. I hope it shows that I care deeply about the work and will continue to do so to the best of my abilities.”

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For the ceremony, she wore a black Givenchy outfit by Sarah Burton, featuring a structured blazer with heavily padded shoulders and a peplum-style hem, paired with a pleated skirt. The look was styled with a cap and silver jewelry.

Erivo has won an Emmy, Grammy, and Tony, alongside multiple Oscar nominations. She became widely known for her role in “The Color Purple” in 2015, which earned her a Tony Award for Best Actress in a Musical and a Grammy Award for Best Musical Theatre Album. She has continued to receive major industry recognition, including a second Grammy for her performance of “Defying Gravity” alongside Ariana Grande from the Wicked soundtrack.

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This is not her first connection with the royal family. Erivo was among a group of alumni who welcomed King Charles and Queen Camilla to the Royal Academy of Dramatic Arts in May 2024 as part of the school’s 120th anniversary celebration.

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The MBE is one of the United Kingdom’s recognized honours, awarded to individuals who have made notable contributions in areas such as the arts, science, public service, and charitable work. Erivo was not the only recipient at Windsor Castle. Matt Lucas and Luke Littler were also presented with an award by Prince William during the ceremony.

Supermodel Anok Yai has made a huge return to the spotlight, gracing the cover of British Vogue June 2026. Beyond being a typical fashion spread, the issue marks a comeback story for the 28-year-old Model of the Year, following her illness that almost cost her life and ultimately her career. The issue was unveiled by British Vogue on 14 May, marking a defining new chapter for the supermodel

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Anok spoke about her health in a personal interview with British Vogue’s Funmi Fetto. She revealed that she was diagnosed with life-threatening congenital lung defect last year, which demanded an urgent life-saving surgery after her major wins on the global stage. Her recovery took such a fragile turn that she believed her illustrious career was coming to an end, altering her life’s progress. “I remember I would try to walk through the Brooklyn Museum and I couldn’t even get past two rooms. I was, like, ‘My runway career is over.'”

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Instead of going solo this time, Anok made “The Summer Fantasy” theme editorial feel more personal. She featured alongside her parents, Nyibol Akuei and Kenyang Yai, in the spotlight, making it less of a high-fashion spread and more like an intimate family album. Serving as a tribute to her parents, who originally fled conflict in South Sudan and also stayed by her side throughout her medical journey.

Photo – Instagram

Anok features in the June issue wearing a variety of high-fashion looks from brands like Chanel, Bottega Veneta, and Loewe. For the striking cover, she wears a brilliant Chanel silk-knit dress selected from Matthieu Blazy’s Fall 2026 collection. The colour-rich shoot was captured by photographer Rafael Pavarotti and styled by Kate Phelan, featuring hair by Jawara W, makeup artistry by Peter Philips, and custom tailoring by Nicholas Guichard.

Other striking portraits were with her mother, Nyibol Akuei, wearing a silk dress by Emilia Wickstead, paired with leather slingbacks by Christian Louboutin. The bracelet is Nyibol’s own.

The visual direction of the shoot carries a deep layer of storytelling, an inspiration drawn from legendary painter Kerry James Marshall, favourite artist of the supermodel.

Photo – Instagram

Anok’s June issue is a celebration of resilience, family and heritage. She shared a heartfelt reflection on what surviving the past year has taught her in her caption on Instagram, “Thank you Chioma Nnadi and British Vogue, this has done so much for my family and me. Thank you for welcoming me back into fashion. Thank you Rafael Pavarotti,  we always make magic together.”

This year’s Met Gala took place on May 4, 2026, at the Metropolitan Museum of Art in New York City. The theme was “Costume Art,” with a dress code of “Fashion is Art,” inviting guests to treat their bodies as living canvases. The night was filled with standout moments, but three women in particular delivered notable appearances. Doechii, Tyla, and Anok Yai each walked that carpet with a clear intention that offered distinct takes on the strong theme. Each look used a strong design approach.

Tyla

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Tyla wore a custom Valentino gown designed under Alessandro Michele‘s direction and inspired by peacocks. The upper part was a sheer, plunging bodice made entirely of shimmering diamond and crystal chains, draped strategically to cover just enough and create a naked dress effect, which transitioned into a low-rise turquoise satin skirt with a central slit and flowing train. silver-bejeweled patterns adorned the drop-waist, and same coloured pendants dangled from her wrists and the bodice.

Her hair was styled by Yusef Williams in long, dark wet-look curls, while her makeup featured a soft cat-eye and neutral, glossy lips. She wore a layered crystal collar necklace and matching drop earrings, completing the look with aqua-colored satin heels that perfectly matched her skirt. She described herself as “basically a shiny peacock” and the gown backed every word of it. For someone who made her Met Gala debut dressed in real sand, she is clearly not interested in playing it safe.

Anok Yai

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Supermodel Anok Yai wore a custom Balenciaga sculptural gown that referenced the Mater Dolorosa. Her look was a highlight of the “Fashion is Art” theme, designed with a living statue shape. She wore a black silk taffeta gown with a highly structured, over-the-top sculptural hood that framed her face. The bodice was intricately ruched and tightly fitted, transitioning into a full skirt with a long train. She styled the gown with opera-length black leather gloves tucked under the sleeves. Her look was accessorized with a high-jewelry Swarovski diamond necklace with a large teardrop pendant.

Underneath the structural hood, her hair was styled in smooth, tight braids featuring golden-beaded accents across her forehead. Her makeup was deeply expressive, with crystal tears painted down her cheeks to complete the Mater Dolorosa inspiration, her skin ultra-hydrated and glowy, paired with a dark, defined lip.

Doechii

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Doechii‘s second Met Gala appearance, she took the “Fashion is Art” theme and gave it a dark, earthy twist. She showed up in a custom Marc Jacobs look that was all about the beauty found in decay. The rapper wore a sheer gown in a rich deep plum colour, made of layers of silk organza and chiffon. It featured a daring halter-style top and a high slit, trailing a long, airy fabric behind her like a shadow.

Her headpiece was the star of the look, wrapped in the same deep purple fabric as her dress, it stood incredibly high, giving a modern, high-fashion nod to traditional African styles like the Nigerian gele. Her makeup featured warm dewy tones, a dark ombré lip and smoky eye. She wore stacks of chunky silver and gold bangles on both wrists, and to keep that grounded, earthy feel intact, Doechii appeared barefoot with henna detailing on her feet.

The three looks stood among the night’s most discussed appearances.