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“28 Years Later” Trailer Review: Does It Live Up to the Hype?

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The first look at 28 Years Later arrives with a trailer that mixes quiet moments and sudden shocks. It opens with children watching Teletubbies, then cuts to a dark world haunted by the Rage virus. The voice-over—a 1915 recording of Rudyard Kipling’s poem “Boots”—sets an already strange and tense mood. In this review, we explore plot hints, character development, cinematography, and setting.

Expansion Of The Storyline

The film is set in 28 years after the virus outbreak. A group of survivors now lives on an island, separated from the mainland by a heavily guarded causeway. When a father and his son leave for the mainland, they encounter new horrors. They find smarter infected hunting in packs, distrustful survivor groups, unsettling truths about life beyond the fence. From the trailer, we catch quick glimpses—a boy learning survival skills, armed men guarding walls, and scenes hinting at shadowy scenes suggesting. While the trailer doesn’t reveal full plot details…but it shows that the it aims to examine the human condition in a world gone dark.

Meeting the Characters

We’re introduced to Jamie (Aaron Taylor-Johnson) and his son Spike (Alfie Williams) as they step into danger. The trailer shows Jamie teaching the boy to be cautious yet brave. We also glimpse Isla (Jodie Comer) and other characters like a possible cult leader (Jack O’Connell) and Dr. Kelson (Ralph Fiennes). From brief scenes, each character appears to carry emotional scars. The trailer teases inner conflicts – fear of loss, hope for a future, and moral tests when survivors clash. Even in short moments, these glimpses suggest that the film will allow its characters to evolve under pressure.

Danny Boyle reunites with cinematographer Anthony Dod Mantle, using a mix of cameras—including iPhones—for a raw, immediate feel. The trailer shows stark images: empty roads, towering fences, skull-stacked towers, burning graves, and misty forests. The use of close-ups and sudden cuts builds tension. The colour palette stays muted, punctuated by sharp flashes of red—blood, warning signs, danger. The lighting feels natural in many scenes: a soft sunset glow in one, flickering firelight in another. These choices create a world that feels both authentic and unsettling.

Setting Of The Movie

We glimpse a Britain reshaped by collapse: ruined buildings, wild fields, makeshift forts. The island refuge appears calm yet claustrophobic. The mainland seems more dangerous, with brutal weather, overgrown towns, and fragmented societies. The setting taps into real-world anxieties—disease, isolation, group conflicts. The trailer hints at varied locations: forests, fields, empty cities, fences under grey skies. This variety suggests a film that shifts in tone and tension.

Why You Shouldn’t Miss It

From what the trailer shows, 28 Years Later seems set to mix emotion and horror. It keeps the tense tone of the original while adding new features: smarter infected, complex survivors, and moral choices. Using the poem over the images is a bold choice. The characters seem ready to face real challenges beyond just running and fighting. Of course, a trailer can’t show everything the movie has to offer. But the hints of family bonds, human conflicts, and haunting visuals make me hopeful. If the movie balances scares with deeper questions, it could truly live up to the hype. For viewers who enjoy horror that makes them think, 28 Years Later looks like one to watch when it hits cinemas on June 20, 2025.

 

 

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Niyi Akinmolayan Unveils Teaser for “Colours of Fire” Starring Osas Ighodaro and Uzor Arukwe

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Image: Colours of Fire movie cover

The curtains have been drawn, and the stage is set for a cinematic masterpiece. Niyi Akinmolayan, dropped the teaser for his latest film “Colours of Fire” starring Uzor Arukwe and Osas Ighodaro as lead actors, set to be released on 24th December, 2025.

Image: Osas Ighodaro

Image: Osas Ighodaro

The plot looks at when love sparks between two enemies, an empire is thrown into chaos. A prophecy came to life, which could change everything. The trailer leaves you wondering how love can grow between enemies and the disagreement that comes from both empires could throw what they share into a war. Well, will the prophecy change everything and mend both empires?

The movie is a thriller set in a traditional African theme of the 90’s. Each scene blended with the concept of the movie, from the rich and cultural set design, to the vibrant and bold colours of costume which perfectly represents the sub-title of the film “Every colour tells a story”, down to the royal hair styles of the casts combined with it’s dark shade makeup category. The cinematography is visually appealing with themes of red, blue, and gold in most scenes which communicated the effectiveness and emotional display of the movie.

Image: Uzor Arukwe

Image: Uzor Arukwe cast reveal cby Niyi Akinmolayan

You can tell a movie will be worth your time when you see the cast. Uzor Arukwe and Osas Ighodaro are two formidable stars in the film industry. From the trailer you can get a sense of their characters. Uzor Arukwe brings that intensity and tension which makes us wonder what secrets his character holds. Osas Ighodaro brings this sultry aura and fierceness, you can’t help but be drawn to her story. The chemistry between them is intense and we look forward to it on our screen.

While the teaser doesn’t give away too much, it hints at a story of love, culture, and romance. If you are a fan of these genres, you should keep an eye out for this one.

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Medlin Boss is a Star in This Pink Blazer Dress

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Medlin Boss has once again proven her impeccable style and flair for fashion. She rocks a pink blazer dress which leaves fans and fashion lovers alike in awe. Just as her audio caption says “She’s like a Star” and she owned up to it in this dress.

Image: Medlin Boss

Image: Medlin Boss

Medlin Boss is no stranger to the fashion world. It’s safe to expect nothing less but daring from her. She has stood the test of time in putting out styles that set trends.

What makes her dress stand out? The style. Her dress is short, with a well structured silhouette, and long flared sleeves. It features a symmetrical button-up illusion closure on the front. She completes this look with a pair of sunglasses and a blue pointed toe heel. The pink colour choice added a touch of femininity and glamour to her overall look. The blazer accentuates her curves so beautifully giving room for her long, slender legs to take the center stage.

Image: Medlin Boss

Image: Medlin Boss

Her outfit gives off the attitude of being; soft, daring, confident, bold, and unapologetic.

Her outfit is a reminder that fashion is a form of self-expression, and there’s no “right” way to pull it off. This is your cue to try out a pink blazer dress on your next outing. It commands so much attention in any room you step into.

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Trailer Review for “Safari”

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When the trailer for Safari dropped, it immediately set social media buzzing. Directed by Obi Emelonye and fronted by Osas Ighodaro, the film promises an emotional and unpredictable journey; part thriller, part moral drama, set against Kenya’s vivid landscapes. The movie is scheduled for release on November 9, 2025, and anticipation is already building across Africa’s film circles.

Ighodaro plays the wife of a Nigerian politician who seems to have it all: luxury, power, and influence, yet she feels trapped in her own life. A trip to Kenya offers the illusion of freedom, but that calm doesn’t last. When a British tourist is found dead and a local man she has befriended becomes the prime suspect, her escape turns into a dangerous web of secrets and suspicion.

From its opening moments, the trailer pulls viewers in. Kenya looks stunning but never sanitized. The camera lingers on sunlit beaches, bustling markets, and tense silences between characters. Every scene feels loaded, not with melodrama but with the quiet dread of choices that cannot be undone.

The cast is a key part of the film’s appeal. Alongside Osas Ighodaro, audiences can expect strong performances from an ensemble of both established Nollywood talent and emerging Kenyan actors. Notably, Emmanuel Mugo portrays Joe Chiama, a local man who becomes entangled in the unfolding drama. Ali Nuhu takes on the role of Senator Farouk, Nkiru’s powerful yet distant husband. Jide Kene Achufusi plays the Lawyer, navigating the legal complexities that arise, while Ken Ambani portrays the Inspector, investigating the mysterious death. Their chemistry brings authenticity to the cross-cultural storyline, adding depth and tension to a narrative where every glance and gesture carries weight.

What is refreshing about Safari is how grounded it feels. Kenya is not presented as a backdrop for drama; it is part of the story, unpredictable, beautiful, and charged with danger. The cinematography captures the tension between freedom and fear, giving the film a visual pulse that feels both intimate and expansive.

Of course, trailers can mislead. Safari could lose its footing if it leans too heavily on romance or moral panic. But if Emelonye keeps the balance between tension and emotion, this could be one of Nollywood’s most talked-about releases of the year.

More than anything, Safari feels like a film about running: from love, from guilt, from the versions of ourselves we no longer recognise. And sometimes, as this trailer suggests, the hardest person to escape is yourself.

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