Entertainment
Everything You Missed from Wizkid’s G.O.A.T Experience
During the height of Detty December, Tafawa Balewa Square came alive for Wizkid’s G.O.A.T: The Greatest of All Time Experience, one of the most anticipated concerts of the year. Media coverage and official announcements confirmed the event, marking it as a headline performance in Lagos’s crowded year-end entertainment calendar.
By early evening, the venue was buzzing with energy. Longtime fans, younger listeners drawn by Wizkid’s international hits, and returnees in town for the holidays all filled the space. Observers noted that the crowd followed the performance closely, reacting to each song with attention rather than impulsive excitement.

Wizkid – Instagram
Wizkid took the stage without a long lineup of opening acts. According to attendee reports and media coverage, there were no widely publicised guest appearances during the performance. His setlist spanned his career, moving from early hits that prompted loud sing-alongs to newer tracks delivered steadily. In some sections, fans carried parts of featured verses themselves, underscoring the show’s solo-led focus.
The stage featured multiple levels and a dominant LED screen. Fans near the front enjoyed clear sightlines and strong sound, while those farther back relied on the screen. Reports and social media commentary highlighted that the visuals, which included abstract imagery for long stretches, occasionally drew attention away from the performer in distant sections.

Wizkid – Instagram
Post-event reactions captured the range of audience experiences. Some praised the show’s focus on Wizkid alone, while others noted challenges in visibility from the back. Discussions centred on engagement, sightlines, and how large venues influence the concert experience.
Organisers and city authorities confirmed additional transport and crowd control measures were implemented to manage turnout. Ticketing included an instalment payment option, publicly announced before the show, which some fans welcomed and others debated online. Both elements underscored the planning and logistics required for an event of this scale.

Wizkid – Instagram
The response to The G.O.A.T Experience shows that audiences now look for more than just star power. Attendance and engagement confirmed Wizkid’s draw, but visibility, access, and production matter just as much. How a performance reaches every corner of the venue is now a key measure of success.
For Lagos’s concert scene, the event sets a new standard for solo-led shows. It illustrates how production, venue size, and audience placement intersect, providing insight into what fans will expect from similar large-scale performances in the future.
Entertainment
Tems Performs “What You Need” on ‘Fallon’
Tems appeared on The Tonight Show Starring Jimmy Fallon to perform What You Need, delivering the performance that highlighted her vocal delivery with a live band on stage. The performance was part of Episode 2275. It was taped on March 31, 2026, and broadcast on NBC.

Photo: Instagram
The performance was delivered in a single, continuous set, with Tems singing the track from start to finish. The arrangement featured live instrumentation, aligning with the show’s format for musical guests.

Photo: Instagram
She performed the song from her Love Is a Kingdom EP, with What You Need positioned within her current promotion. The song credit Tems as co-writer and co-producer alongside GuiltyBeatz.
Tems wore a silver mesh gown with lace detailing. The look was styled by Dunsin Wright, and the design combined a sheer mesh base with lace detailing that were visible under studio lighting. Her hair style was coordinated as well.

Photo: Instagram
Clips from the performance were shared on The Tonight Show platforms, including its social media channels, showing Tems on stage performing the track in a single take.
Entertainment
2026 AMVCA Nominations Are In, See the Complete List
The Africa Magic Viewers’ Choice Awards has released the nominees for its 12th edition, with notable entries across categories. The announcement was made live on Africa Magic channels on Sunday, March 29, 2026, hosted by AMVCA-winning actor Chimezie Imo.
Veteran actress Joke Silva was appointed Head Judge, taking over from Femi Odugbemi.
Organisers introduced two new categories, Best Indigenous Language Film (North Africa) and Best Indigenous Language Film (Central Africa).

Photo: Instagram
Gingerrr and The Herd are leading with 9 nominations each. To Kill A Monkey followed closely behind with 8 nominations, and My Father’s Shadow picked up 7. These four titles dominated across acting, directing, and technical categories.

Photo: Instagram
On the acting side, Sola Sobowale earned nominations in both lead and supporting categories. So did Uzor Arukwe and Lateef Adedimeji. Genoveva Umeh got her first Best Lead Actress nomination.

Photo: Instagram
This year has 32 categories in total, 18 of which were decided by a jury, 11 voted by the public, and 3 special recognition awards. The 12th AMVCA is sponsored by Don Julio.
Public voting is open now at www.africamagic.tv/amvca.
The ceremony holds on Saturday, May 9, 2026.
Here is the full list of nominees below:
Best Digital Content Creator
- Dr Judgina – Situationally Transmitted Delusion – Elozonam Ogbolu and Genoveva Umeh
- The Marriage List – Destiny Ogie Osarewinda
- Leave To Live – Emmanuel Kanaga and Sophia Chisom
- The Rate Race – Benedict Ehimare Oriaifo
- Luxury Koko – Maryam Apaokagi-Greene (Taaooma)
- August Meeting Election – Steve Chuks
- Did I Just Hear Muah – Akwaman
Best Indigenous Language Film (West Africa)
- The Serpent’s Gift – Winifred Mena-Ajakpovi
- Lisabi: A Legend Is Born – Lateef Adedimeji
- Labake Olododo – Alice Iyabo Ojo, Olukanmi Abayomi, Alaba Onaolapo, Kene Okwuosa, Ladun Awobokun
- Aljana – Grace Yachat Yakubu
- Olorisha – Abiola Adeshina
Best Indigenous Language Film (East Africa)
- Inside Job – Kamau Wandug’u, Joe Mahinda and Barbara Njeri Maina
- Sayari – Omar Hamza and June Wairegi
- Addis Fikir – Leul Shoaferaw
- My Son – Isarito Mwakalindile
- Kimote – Hassan Mageye
Best Indigenous Language Film (South Africa)
- Bet I Love You
- Sebata: The Beast
- Ben Made It
- Terra Of Queens And Kuma 2
- Tlhaho Ya Mosadi
Best Indigenous Language Film (North Africa)
- The Omnipresent – Youssef Ben Khalifa
- The Delivery – Abdalla Ezyan
- The Hidden Voice – Houssem Eddine Abdelwahed
- This Is Portsaid – Abdalla Ezyan
- Artal Alhanin: Our Memories – Mohamed Awad and Mohamed Abdulraham Eldouma
Best Indigenous Language Film (Central Africa)
- Mabanda – Kang Quintus
- Safou: A Gift From Nature – Nyasha Makamba
- Golden Spoon – Egbe Francis Ettabrown
Best Short Film
- Rise – Jessie J. Rowlands
- Fleas – Jordy Sank
- Telephone – Fimisinuola Adejonwo
- Hussaini – Orire Nwani and Josh Olaoluwa
- My Body God’s Temple – Uzoamaka Power
Best Scripted M-Net Original
- Adam To Eve – Lizz Njagah and Alexandros Konstantaras
- Mother of the Brides – Rogba Arimoro and Bio Arimoro
- The Yard – James Kalu Omokwe
- The Low Priest – Femi D. Ogunsanwo
- Bobo – Maurice Muendo
Best Unscripted M-Net Original
- Nigerian Idol S10 – Suleiman Kassim and Anneke De Ridder
- Ultimate Girls Trip: Africa – Graeme Swanepoel and Jemma Ford
- Chapa Chapa My Love – Ercilla Justino, Jojo Almeida and Gabriela Ueno
- Out N About (Harar) – Bruk Yibrah
- Undugu – Hatibu Madudu
Best Indigenous M-Net Original
- Inimba – Siphosethu Tshapu, Thandi Ramathesele and Yolanda Ndhlovu
- Kukoyi – David Akande
- Undugu – Hatibu Madudu
- Out N’ About (Harar) – Bruk Yibrah
- Kampala Creme S2 – Joel Ndugwa
- The Chocolate Empire – Grace Kahaki and Phillippe Bresson
- Mgbuka – Eze Izu
Best Supporting Actress
- The Herd – Linda Ejiofor
- Oversabi Aunty – Olamide Kidbaby
- Gingerrr – Bisola Aiyeola
- The Covenant Series – Sola Sobowale
- Aljana – Nadia Dutch
- The Herd – Amal Umar
- MTV Shuga Mashariki – Juliebrenda Nyambura
- Behind The Scenes – Funke Akindele
Best Supporting Actor
- The Yard – Simileoluwa Hassan
- Gingerrr – Lateef Adedimeji
- Colours of Fire – Gabriel Afolayan
- To Kill A Monkey – Bucci Franklin
- King Of Thieves 2 – Femi Adebayo
- Red Circle – Lateef Adedimeji
- Owambe Thieves – Femi Branch
- Behind The Scenes – Uzor Arukwe
Best Lead Actor
- Oversabi Aunty – Mike Ezuruonye
- Lisabi: A Legend Is Born – Lateef Adedimeji
- To Kill A Monkey – William Benson
- Grandpa Must Obey – Kanayo O. Kanayo
- Bet I Love You – Khumbuza Meyiwa
- Colours of Fire – Uzor Arukwe
- 3 Cold Dishes – Wale Ojo
- Red Circle – Femi Branch
Best Lead Actress
- The Serpent’s Gift – Linda Ejiofor
- To Kill A Monkey – Bimbo Akintola
- The Lost Days – Ifeoma Fafunwa
- Something About The Briggs – Ariyike Owolagba
- Her Excellency – Sola Sobowale
- Behind The Scenes – Scarlet Gomez
- The Herd – Genoveva Umeh
- Mother of the Brides – Gloria Anozie-Young
Best Cinematography
- My Father’s Shadow – Jermaine Edwards
- To Kill A Monkey – Kabelo Thathe
- The Herd – Emmanuel Igbekele
- Finding Nina – Daanong Gyang
- The Serpent’s Gift – Emmanuel Igbekele
- Stitches – KC Obiajulu
- Gingerrr – Emmanuel Igbekele
Best Editing
- Cordelia – Kazeem Agboola
- My Father’s Shadow – Omar Guzman Castro
- Landline – Wanguma Peter Chidebere and Dele Doherty
- 3 Cold Dishes – Asurf Amuwa Oluseyi
- Osamede – Winston Aig-Ohioma
- To Kill A Monkey – Daniel Anyia
Best Sound Design
- My Father’s Shadow – Pius Fatoke and CJ Mirra
- Gingerrr – Tolu Obanro
- Ben Made It – Vaughan Phillips
- The Party – Tolu Obanro
- Sebata: The Beast – Vaughan Phillips
- The Herd – Fisayo Adefolaju
Best Music Score
- My Father’s Shadow – Duval Timothy and CJ Mirra
- 3 Cold Dishes – Nissi Ogulu
- Osamede – Chubb Okobah
- Gingerrr – Tolu Obanro
- The Party – Tolu Obanro
- MTV Shuga Mashariki – SoFresh
- To Kill A Monkey – Oscar Heman-Ackah
Best Art Direction
- The Serpent’s Gift – Zainab Oladipupo
- The Herd – Omolade Abisola
- Colours of Fire – Ajamolaya Bunmi
- Aljana – Olatunji Afolayan and Gideon O. Stephen
- Suky – Victor Akpan
- Inimba – Thabiso Senne
Best Costume Design
- The Serpent’s Gift – Mary Chukwuma
- The Real Housewives of Lagos S2 – Deola Art Alade and Darey Art Alade
- Colours of Fire – Valerie Okeke
- Something About The Briggs – Yolanda Okereke
- To Kill A Monkey – Ikechukwu Urum and John Joseph Angel
Best Makeup
- Behind The Scenes – Mojisola Imam
- Lisabi: A Legend Is Born – Adeola Thelma Bamgboye
- Gingerrr – Dablaq Artistry
- Abanisete – Adeola Thelma Bamgboye
- Warlord – Hakeem Onilogbo (Hakeem Effect)
- Suky – Ruth Harcourt
- Labake Olododo – Adeola Thelma Bamgboye
Best Writing (TV Series)
- The Wives – Donald Tombia, Timendu Aghahowa and Chiemeka Osuagwu
- MTV Shuga Mashariki – Annette Shadeya, Natasha Likimani, Mkamzee Mwatela, Arnold Mwanjila and Makgano Mamabolo
- Our Husband – Xavier Ighorodje
- Addis Fikir – Besufekade Mulu
- Baba Oh – Temilola Balogun
- The Party – Stephen Okonkwo
- Gizat – Yednekachew Ayne
Best Writing (Movie)
- The Herd – Lani Aisida
- My Father’s Shadow – Wale Davies
- Blackout – Ikenna Okpara
- Cards On The Table – Shirleen Wangari
- Gingerrr – Xavier Ighorodje
- Suky – Isaac Ayodeji
- 3 Cold Dishes – Tomi Adesina
Best Documentary
- Beyond Olympic Glory – Shedrack Salami
- The Good x The Bad of Afrobeat – Louis Ejiofor
- The People Shall – Mark Maina and Nick Wambugu
- Not Addressing This Anymore – Huzzain Bello
- BOU – Mwaka Gerald Remmy
Best Scripted Series
- To Kill A Monkey – Kemi Adetiba
- The Yard – James Kalu Omokwe
- The Chocolate Empire – Grace Kahaki and Phillippe Bresson
- Inimba – Siphosethu Tshapu, Thandi Ramathesele and Yolanda Ndhlovu
- Kash Money – Grace Kahaki and Phillippe Bresson
Best Unscripted Series
- The Real Housewives of Lagos
- Nigerian Idol
- Ultimate Girls Trip: Africa
- Offair With Gbemi And Toolz
- Out N’ About (Harar)
Best Director
- My Father’s Shadow – Akinola Davies Jr.
- Cordelia – Tunde Kelani
- Osamede – James Omokwe
- The Herd – Daniel Etim Effiong
- Gingerrr – Yemi Filmboy Morafa
- 3 Cold Dishes – Asurf Amuwa Oluseyi
Best Overall Movie
- Gingerrr
- The Herd
- My Father’s Shadow
- 3 Cold Dishes
- The Serpent’s Gift
- Behind The Scenes
Entertainment
Wizkid, Ayra Starr and Niko Omilana Named Among 2026 MOBO Awards Winners
Wizkid, Ayra Starr and Niko Omilana were counted among the winners at the 2026 MOBO Awards, in a line-up that reflects the broad scope of contemporary Black entertainment.
The MOBO Awards, established to recognise achievement in music of Black origin, continue to spotlight artists and personalities shaping global culture. This year’s edition brought together established names and emerging voices, with African talent again visible across key categories

Photo: Instagram
Wizkid’s recognition adds to a catalogue of international awards that have marked his career over the past decade. Known for chart-topping releases and high-profile collaborations, the Nigerian artist has maintained a consistent presence across global markets, including the UK and Europe. His influence has extended beyond recordings to touring and cross-continental partnerships, reinforcing his position within Afrobeats’ global expansion.

Photo: Instagram
For Ayra Starr, the win signals continued momentum. Since her breakout, she has released projects that have performed across streaming platforms while also securing international bookings. Her sound blends Afropop with contemporary global pop elements, contributing to a growing audience outside West Africa. Industry coverage has linked her rise to a wider wave of young African artists gaining traction in multiple territories, including Southern Africa.

Photo: Instagram
The inclusion of Niko Omilana reflects the MOBO Awards’ recognition of cultural impact beyond traditional music categories. Known for his online content and strong youth following, Omilana represents a digital-first model of influence, where audience reach is built across platforms rather than through music releases alone.
Together, these winners illustrate the range of talent shaping Black entertainment today. From established recording artists to emerging global acts and digital creators, the 2026 MOBO Awards highlight how influence extends across music, media and online communities. For audiences in South Africa, where Afrobeats and global pop continue to intersect, the outcomes reinforce ongoing connections between African artists and international platforms.
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