Entertainment
Inside Chanel’s 18th Annual Tribeca Artists Dinner at The Odeon
Tribeca lit up with star-studded glamour on Monday night as Chanel hosted its 18th Annual Artists Dinner at The Odeon — a stylish staple of the Tribeca Festival. The evening celebrated the intersection of film, fine art, fashion, and culture — drawing an eclectic mix of creatives, tastemakers, and A-list guests.

Molly Gordon
The candlelit event brought together a dazzling lineup of guests— Blake Lively , Robert De Niro, Sofia Coppola, Lucy Liu, Mariska Hargitay, Jon Hamm, Joe Jonas, Lily James, Olivia Munn, Allison Janney, Christy Turlington, and many more. Nigeria’s own Wizkid also made a show-stopping appearance, styled in black-and-white Chanel costume.

Wizkid in the photo booth
A highlight of the night was a playful photo booth installation by French artist JR, making a return to the festival after his 2019 debut.Celebrities stepped into oversized wooden crates filled with bubble wrap and foam, striking poses as if they were priceless works of art. Everyone from Blake Lively to Robert De Niro joined in the fun. Notably Wizkid also got in on the action, striking a charismatic pose that reinforced his global status as a style and cultural icon.
The dinner also honored ten visual artists — handpicked by curator Zoe Lukov — who created original works for this year’s Tribeca Festival award-winning filmmakers. The featured artists included:
- Alteronce Gumby
- Faith Wilding
- Jane Dickson
- Jeffrey Meris
- Lauren Halsey
- Marilyn Minter
- Naudline Pierre
- Raúl de Nieves
- Simphiwe Ndzube
- Tuan Andrew Nguyen.
Their works are on display at the Tribeca Festival Hub in Spring Studios throughout the festival’s duration, which runs until June 15.

Chanel’s 18th Annual Tribeca Artists Dinner at The Odeon
Amid the conversation, steak frites and sundaes, guests flipped through artist-designed books— a cherished Chanel dinner tradition. The evening unfolded as more than just a glamorous gathering. It was a tribute to New York’s creative spirit and a celebration of the dynamic bond between fashion, film, and fine art — led by a house long known for championing boundary-pushing beauty.
read also: Wizkid Celebrates His Lagos Legacy with Family at Tribeca Film Festival Premiere
Entertainment
Can Damson Idris Pull Off the Role of Black Panther?
Ever since Black Panther: Wakanda Forever ended with T’Challa gone, fans have wondered who can actually step in to that iconic role next? And one name frequently mentioned is Damson Idris, some people think he can actually take on the role successfully while others thinks it’s too much for him. But the conversation is showing now signs of slowing.
Damson Idris, 33 years old is a British-Nigerian actor. who has been making waves in the industry for a while now. He rose to fame for his lead role in Snowfall, where he played Franklin Saint and also recently starred in the movie F1. He has proven he is a very skilled actor and he can carry a show with his strong presence, emotional control and ability to deliver believable performances.

Damson Idris – Instagram
When the question of whether he can take on the role came up, Damson has been lighthearted yet candid. He said that while nothing has been made official, he would consider the role. That alone has fans excited and keeps the speculation alive.
Fans love Damson because of his range. In Snowfall he navigated complex emotions, anger, ambition, fear, quiet strength convincingly. That kind of control is what T’Challa needs. Additionally Damson is also athletic and has experience with action roles, so the physical side of playing Wakanda’s king wouldn’t be an issue.

Damson Idris – Instagram
Stepping into T’Challa’s shoes isn’t easy. Chadwick Boseman left a legacy that still resonates worldwide. Marvel has respected that by not immediately recasting T’Challa and focusing on new stories instead, like Shuri taking up the mantle in Wakanda Forever. Any actor stepping in will need to handle that legacy carefully.
Black Panther is also deeply tied to African culture and heritage. Damson’s British-Nigerian background gives him a natural connection. With the right preparation, accent coaching, and guidance on cultural authenticity, he could bring credibility and respect to the role.
So, can Damson Idris pull it off? He has the potential to do so. He has the talent, presence, and fan support to take on the role convincingly. The bigger question is whether Marvel is ready to tell the story in a way that honours the past while opening a new chapter.
Entertainment
Wizkid and Asake Go Hard in Turbulence Video
The Turbulence video maintains a controlled visual approach that reflects the song’s steady mood and the direction of Wizkid and Asake’s joint project, REAL, Vol. 1. The video avoids familiar Afrobeats shortcuts: no crowded scenes, no rapid cuts, and no overstated styling. What takes their place is structure, with clean composition, deliberate spacing, and shots long enough for the artists to settle into the frame. Movement is minimal, allowing posture and presence to carry the expression.

Photo Credit – Instagram
Turbulence moves at a steady pace, driven more by rhythm than by bursts of energy. Wizkid delivers his lines with a calm, measured delivery, while Asake tempers the intensity that has defined much of his earlier work. Both perform with control, letting consistency define the song’s focus.
The song addresses personal space and the need to stay undisturbed by outside pressures. The verses are straightforward, with repeated phrases reinforcing the mood rather than adding drama, letting the rhythm and tone dominate.

Asake – Instagram
Visually, the video supports this approach. Wardrobe choices remain simple and functional. Colours are used sparingly, and the camera generally keeps its distance. This creates a sense of space, emphasizing the artists’ presence without overwhelming the viewer with action or effects.

Photo Credit – Instagram
Within REAL, Vol. 1, Turbulence serves as a pause. While other tracks on the project lean into momentum and rhythm, this song slows the pace, offering a moment of reflection. The collaboration feels balanced. Wizkid maintains his controlled delivery, while Asake adjusts his energy without losing presence. The video mirrors this balance, keeping both performers equally present on screen.
Turbulence may not grab attention immediately, but the video reinforces its controlled approach. It values precise composition and intentional timing over fanfare, showing that careful design can deliver impact without resorting to flashiness.
Entertainment
Anikulapo: The Ghoul Awaken Movie Trailer Review (New Season Premieres January 30)
When Anikulapo premiered in 2022, it leaned more on consequence in the way it told its story. Kunle Afolayan’s film presented resurrection as a force that affected social and political relationships rather than as a shortcut to heroism. Power had clear effects on those involved, and survival depended on the choices characters made. The trailer for Anikulapo: The Ghoul Awakens indicates that the story is moving into new territory beyond the original film.
The trailer shows movement across different locations. The familiar structures of the Oyo Empire appear less secure, and characters are seen navigating new environments and changing alliances. These visuals suggest a wider world in which the story is developing, with new challenges for the characters.

Photo Credit – Google
The “Ghoul” referenced in the title is not explicitly defined in the trailer. Fear and tension are communicated through pauses, cautious glances, and moments where characters hesitate. The threat is presented as a presence that influences how people act, rather than as a clearly identified figure. This approach allows the audience to focus on the unfolding events and the interactions between characters.
Saro appears with more visible weight in this season. Scenes show other characters reacting to him with caution, suggesting that his abilities carry broader implications within the story. Several shots focus on how others respond to his actions rather than on his actions alone. Returning cast members provide continuity, while new characters are introduced in ways that suggest they will play significant roles in shaping events.

Photo Credit – Google
Visually, the trailer maintains the quality associated with Afolayan’s previous work. Costumes, sets, and use of language continue to show attention to detail. The tone appears tighter and darker, with faster pacing, sharper lighting, and moments of abrupt conflict. The visual style balances aesthetic appeal with the sense of tension present in the story.
The trailer also emphasizes that power comes with consequences. Scenes suggest that decisions carry cost, whether through cautious interactions or uncertain outcomes. Within the context of Nigerian storytelling, this approach presents power as something that affects everyone involved rather than something that is simply effective or advantageous.

Photo Credit – Google
As the January 30 release date approaches, the trailer positions this season as a continuation with higher stakes. The visuals and tone suggest a story that explores broader settings and introduces new tensions for the characters. Audiences can expect a season that examines the impact of Saro’s abilities and how the characters respond to the challenges that arise in this expanded story world.
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