The 2025 MTV Video Music Awards belonged to Tyla. With “Push 2 Start,” she became the first artist to win Best Afrobeats two years in a row, a moment that showed her rise from breakout star to one of Afrobeats’ leading names worldwide. Her win placed Afrobeats firmly on the global stage, with African stars now shaping the direction of pop culture.

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Tyla’s win carried the pride of the continent, but her presence on the red carpet made just as much noise. Styled by Ron Hartleben, she arrived in a 1993 vintage Chanel corset top, worn as a cream-and-black micro-mini dress. The look was balanced with fitted black shorts, a modern twist that allowed the outfit to move between daring and clean. Around her waist, gold chain echoing the layered necklaces and heavy medallions at her neckline.

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Her partnership with Pandora was on full display as she stacked bracelets, rings, and anklets, turning jewelry into a language of detail and weight. On her feet, she chose black Louboutin pumps, a classic contrast to the rest of the look.

The beauty direction was just as deliberate: a side-parted bob, natural-toned glam and a bold green manicure  gave the look a sharp twist, showing that Tyla knows how to finish off her fashion moments.

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It was a red-carpet appearance that felt from the past yet modern, drawing from fashion history while signaling the assurance of an artist who knows she’s making history herself. The award was one part of the night. The other was seeing Tyla step onto the carpet and stage with the same assurance— an artist shaping Afrobeats.

Italian fashion designer Giorgio Armani, one of the most influential figures in modern fashion, has died at the age of 91. The news was confirmed by his company on Thursday, stating he passed away “surrounded by his loved ones.”

In its official statement, the Armani Group said:

“With infinite sorrow, the Armani Group announces the passing of its creator, founder, and tireless driving force: Giorgio Armani.”

The announcement was first reported by France 24, which noted that Armani’s fashion house would set up a funeral chamber in Milan on Saturday and Sunday, followed by a private funeral at a later date.

Photo: Giorgio Armani -Instagram

Born in Piacenza in 1934, Armani started out in medicine before moving into window dressing and eventually fashion design. In 1975, he co-founded his namesake label, selling his Volkswagen Beetle to raise the funds. What began as a small venture grew into one of the most powerful fashion empires in the world, spanning couture, ready-to-wear, perfumes, hotels, and interior design.

He was known for pioneering unstructured tailoring, a style that stripped away stiffness and redefined power dressing in the 1980s. Armani’s designs became synonymous with understated luxury, worn by Hollywood stars, business leaders, and royalty alike. In Nigeria, his suits and evening gowns have been favorites on Nollywood red carpets and at major award shows, influencing how African celebrities approach luxury fashion.

By 2025, the Armani Group was generating an annual turnover of more than €2.3 billion ($2.7 billion), making it one of Italy’s most successful fashion houses. Armani’s health had been declining in recent months. In June, he missed Milan Men’s Fashion Week—marking the first time in his decades-long career that he was absent from a catwalk show.

Photo: giorgioarmaniofficial- Instagram

In Italy, Armani was affectionately known as Re Giorgio (King Giorgio). Unlike many designers who later stepped back from the spotlight, Armani remained at the heart of his company until the end. His eye for detail and insistence on perfection set him apart, shaping a brand that balanced creativity with strong business acumen.

The company confirmed that a funeral chamber will be open to the public in Milan over the weekend, allowing admirers and industry figures to pay their respects. A private family funeral will follow at a later date. Giorgio Armani leaves behind not just a global fashion empire, but also a legacy that reshaped how the world understands elegance, discipline, and Italian style.

For nearly four decades, Vogue in the United States was shaped by one woman: Anna Wintour. With her sharp bob and ever-present sunglasses, she became the face of the magazine and a defining figure in fashion. Now, after 37 years, Wintour has stepped back from her day-to-day role, handing the editorial reins to Chloe Malle.

Photo: @wintourworld-Instagram

On September 2, Wintour announced that Malle would become Head of Editorial Content at Vogue US, a newly created position. The choice reflects both continuity and change. Malle, the daughter of actress Candice Bergen and late filmmaker Louis Malle, first joined Vogue in 2011 as social editor. She later became a contributing editor and, most recently, ran Vogue.com. Under her watch, the site’s readership expanded dramatically, proving she could translate the magazine’s authority into digital influence.

Photo: @Chloemalle-Instsgram

Her appointment comes at a time when the lines between print and digital are disappearing. Fashion audiences are just as likely to discover a cover story on their phone screens as in the pages of a glossy magazine. Malle, who has already shown her ability to grow Vogue’s online reach, is expected to push that momentum further.

For Nigerian readers and fashion professionals, this shift is worth noting. Vogue’s choices have long rippled across the global industry, influencing everything from runway trends to cultural conversations. With Malle in charge of editorial direction, there is room for new stories and a wider range of perspectives to make it into the spotlight. This creates an opportunity for African designers and creatives to connect more directly with global audiences.

Photo: @wintourworld-Instagram

Anna Wintour is not disappearing. She remains Vogue’s Global Editorial Director and Condé Nast’s Chief Content Officer, ensuring her influence continues at the highest level. But the daily creative decisions for the American edition now rest with Malle.

The handover marks a generational moment for Vogue. For an institution to remain relevant, it must adapt. By choosing Malle, the magazine signals its readiness to meet a new audience on its own terms: one that values not just style but also stories that reflect today’s diverse world.