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The Mind-Blowing World of 2Baba’s “Kuku Google Am” Video

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2Baba’s latest music video, “Kuku Google Am,” under A Guy Entertainment Limited, delivers vibrant visuals and catchy beats. Directed by Unlimited LA and produced by Duktor Sett, the video is a strong addition to the Afrobeats scene. It’s a clear throwback to the early days of the internet, perfectly setting the tone for a track that’s all about knowing your worth and letting the facts speak for themselves. With its catchy tune urging us to “google it” rather than argue, the video takes that lighthearted tone and turns it into a feast for the eyes. From futuristic elements to street scenes and stacks of cash, 2Baba proves once again why he’s a legend who knows how to keep us hooked.

The video begins with the message: “The most expensive thing we steady spending is… TIME.” This line frames the video’s focus on valuing what matters most. Then, the video shifts into a “Matrix”-inspired scene, featuring green digital rain behind 2Baba, who appears in a sharp suit alongside a character with a TV for a head. This sequence blends digital elements with real-world imagery.

The dancers, dressed in black, perform precise moves that complement the video’s futuristic theme. The video is a journey that blends cool ideas with pure entertainment.

In another scene, 2Baba stands outside a barber shop, hood up and wearing shades, surrounded by a group enjoying the music. This reflects everyday gatherings where discussions and debates happen, a key theme of the song. Then, the video moves to a vault filled with stacks of money, showing 2Baba relaxed among the wealth. A moment where cash covers a person’s face adds humor while critiquing the obsession with wealth at the expense of more important things. Every frame keeps you guessing and grinning.

What makes “Kuku Google Am” stand out is how it balances lightheartedness with meaningful advice. Its lyrics encourage listeners to end endless debates by simply searching for facts, a message many can relate to. Since its drop, fans have been raving about the creativity, and it’s easy to see why. The video has drawn positive attention from fans.

“Kuku Google Am” combines music, storytelling, and visuals to deliver a memorable experience. It reminds us to value our time and not take ourselves too seriously. Check out the video online and see for yourself why it’s resonating with fans.

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Tolani Otedola Turns Unfinished Songs into a Cohesive Debut EP

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Tolani Otedola’s debut EP, Sh!t I Never Finished, is shaped by a straightforward admission she made herself: these songs were once abandoned drafts. Instead of discarding them or reinventing them beyond recognition, she completed the work and presented it as a unified project. It’s an unusual approach in a landscape where most artists debut with highly polished introductions, but hers is anchored in the decision to finish what she previously put aside.

Tolani – Instagram

The seven-track EP keeps its production intentionally narrow. Tolani leans on focused arrangements that leave room for her writing and vocal tone to carry the weight of each track. The choices are deliberate rather than dramatic. Even the collaboration with Pheelz feels purposeful. His contribution strengthens the structure of the song he appears on, without shifting the project into a different direction or chasing a trend.

A defining feature of the EP is its refusal to hide its origins. Some songs retain a slightly raw edge, the kind you expect from material that lived as drafts before being revisited. Instead of smoothing every corner, Tolani allows the history of the songs to remain visible. It gives the project a documentary quality. Listeners hear what was completed, not what was rebuilt from scratch.

Tolani – Instagram

Reaction to the release has centred on the simple fact that Tolani now has a full body of work after years of occasional releases. It positions her clearly within the Nigerian music landscape, not through a rebrand but through a complete project that shows her writing style, vocal choices and artistic priorities without distraction.

Not every track lands equally. A few would benefit from sharper hooks or more rhythmic variation, but these gaps don’t weaken the project’s intent. They underscore that this is a debut built from material she chose to finish honestly, not repackage into something overly processed.

Tolani – Instagram

Tolani described the EP as “my small victory”, and the project reflects exactly that. The decision to complete unfinished work and release it without theatrics stands out. Sh!t I Never Finished serves as a clear statement. She has completed the songs she once left behind, and she has done so on her own terms.

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Ciara, Oxlade and Moliy Team Up on “Nice n’ Sweet” A Smooth Blend of R&B and Afrobeats

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Ciara’s latest release, “Nice n’ Sweet,” arrives with the kind of clarity that shows a deliberate new phase. Featured on the CiCi deluxe edition, the track pairs her R&B foundations with a lively Afro-influenced sound shaped by Oxlade and Moliy, two artists who have created a unique spaces within African pop’s today’s sound. The collaboration pulls three different style into one direction, resulting in a song that feels good in its mix.

Produced by Shyne and Lucky Jones, the single uses a warm beat and smooth melodic patterns that give the song its rhythm. Ciara’s delivery stays soft, setting the tone before Oxlade steps in with his smooth, instantly recognisable tone. Moliy adds a lightness that rounds out the trio’s chemistry, creating a mix that feels global without without drifting.

Ciara & Moliy: Instagram

Lyrically, the track plays with intimacy and rhythm, reflecting the playful lines that have already drew interest online. It’s an easy listen on the surface, though there’s a clear intention in how each voice is arranged in parts, lending the record a clean result that suits its cross-cultural identity.

Beyond the sound, “Nice n’ Sweet” marks another point in Ciara’s ongoing connection to African music, a relationship she has been exploring more openly in recent years. Oxlade’s inclusion reflects his continued rise among international audiences, while for Moliy, the feature signals another significant step in her expanding path.

 

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14-Year-Old Champz Debuts at No. 1 on Apple Music Nigeria

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At 14 years old, Champz, real name Boluwatife Balogun, has become the youngest artist to reach No. 1 on the Apple Music Nigeria Top Albums chart with his debut EP, Champion’s Arrival. The five-track project, just eleven minutes long, was released on November 11, 2025, and topped the chart within five hours.

Champz – Instagram

While his father, global Afrobeats star Wizkid, is a recognized name, Champz’s achievement is notable for being entirely solo. The EP features no guest artists, highlighting his ability to connect with listeners independently. Its concise format also reflects a clear understanding of today’s streaming-focused audience, where short, focused projects can make a strong impact quickly.

The success positions Champz among the youngest artists in Nigeria to reach a chart-topping release. It also shows that early exposure and guidance from a music family can translate into tangible results, provided the talent is real. Rather than relying on collaborations or hype, Champz’s work demonstrates self-reliance and a grasp of his musical identity at an age when most are still exploring their interests.

Champz – Instagram

Reaching No. 1 on Apple Music Nigeria is significant. The platform measures real-time streams, and a top position often forecasts broader commercial and media opportunities. For Champz, the milestone confirms that he has captured attention not only because of his surname but because of the music itself.

Looking ahead, sustaining this momentum will be crucial. He has the opportunity to expand through visuals, live performances, and selective international exposure. At the same time, maintaining focus on his own sound and growth rather than comparisons to his father or peers will be essential for long-term credibility.

Champz – Instagram

This debut also reflects a broader shift in Nigerian music. Younger artists are entering the industry with digital-first strategies, short releases, and immediate engagement with audiences. Champz’s achievement illustrates that age is no longer a barrier when talent meets the right timing and approach.

By topping Apple Music at 14, Champz has made a measurable mark on the Nigerian music scene. His debut shows that careful preparation, focus, and genuine talent can translate into early success. For the industry, his rise serves as a reminder that young artists can achieve significant milestones if given the right platform and guidance.

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