Ciara’s latest release, “Nice n’ Sweet,” arrives with the kind of clarity that shows a deliberate new phase. Featured on the CiCi deluxe edition, the track pairs her R&B foundations with a lively Afro-influenced sound shaped by Oxlade and Moliy, two artists who have created a unique spaces within African pop’s today’s sound. The collaboration pulls three different style into one direction, resulting in a song that feels good in its mix.

Produced by Shyne and Lucky Jones, the single uses a warm beat and smooth melodic patterns that give the song its rhythm. Ciara’s delivery stays soft, setting the tone before Oxlade steps in with his smooth, instantly recognisable tone. Moliy adds a lightness that rounds out the trio’s chemistry, creating a mix that feels global without without drifting.

Ciara & Moliy: Instagram

Lyrically, the track plays with intimacy and rhythm, reflecting the playful lines that have already drew interest online. It’s an easy listen on the surface, though there’s a clear intention in how each voice is arranged in parts, lending the record a clean result that suits its cross-cultural identity.

Beyond the sound, “Nice n’ Sweet” marks another point in Ciara’s ongoing connection to African music, a relationship she has been exploring more openly in recent years. Oxlade’s inclusion reflects his continued rise among international audiences, while for Moliy, the feature signals another significant step in her expanding path.

At 14 years old, Champz, real name Boluwatife Balogun, has become the youngest artist to reach No. 1 on the Apple Music Nigeria Top Albums chart with his debut EP, Champion’s Arrival. The five-track project, just eleven minutes long, was released on November 11, 2025, and topped the chart within five hours.

Champz – Instagram

While his father, global Afrobeats star Wizkid, is a recognized name, Champz’s achievement is notable for being entirely solo. The EP features no guest artists, highlighting his ability to connect with listeners independently. Its concise format also reflects a clear understanding of today’s streaming-focused audience, where short, focused projects can make a strong impact quickly.

The success positions Champz among the youngest artists in Nigeria to reach a chart-topping release. It also shows that early exposure and guidance from a music family can translate into tangible results, provided the talent is real. Rather than relying on collaborations or hype, Champz’s work demonstrates self-reliance and a grasp of his musical identity at an age when most are still exploring their interests.

Champz – Instagram

Reaching No. 1 on Apple Music Nigeria is significant. The platform measures real-time streams, and a top position often forecasts broader commercial and media opportunities. For Champz, the milestone confirms that he has captured attention not only because of his surname but because of the music itself.

Looking ahead, sustaining this momentum will be crucial. He has the opportunity to expand through visuals, live performances, and selective international exposure. At the same time, maintaining focus on his own sound and growth rather than comparisons to his father or peers will be essential for long-term credibility.

Champz – Instagram

This debut also reflects a broader shift in Nigerian music. Younger artists are entering the industry with digital-first strategies, short releases, and immediate engagement with audiences. Champz’s achievement illustrates that age is no longer a barrier when talent meets the right timing and approach.

By topping Apple Music at 14, Champz has made a measurable mark on the Nigerian music scene. His debut shows that careful preparation, focus, and genuine talent can translate into early success. For the industry, his rise serves as a reminder that young artists can achieve significant milestones if given the right platform and guidance.

In African music’s dynamic scene, few collaborations have generated as much buzz as Sarz’s latest single “Getting Paid,” featuring Asake, Wizkid, and Skillibeng. It’s a noteworthy collaboration of distinct talents. This lineup brings together unique styles and energies.

“Getting Paid” is a smooth blend of genres that fuses afrobeat rhythm and dancehall-inflected energy. Each featured artist played a distinct role in ensuring the song succeeds. Asake, with his distinctive Yoruba street-wise infusion, Wizkid offered a smooth melodic hook that rides the groove. Skillibeng brings a sharp, fiery energy.

Collage of the “Getting Paid” artists’: Instagram

The song is lyrically rich and entertaining. It addresses triumph, wealth, and success. The chorus, “Man we’re getting the pay, pay” is a line that is likely to resonate well with listeners locally and internationally. We all want to get paid. While the song itself is exceptional, the visuals of “Getting Paid” match the song’s ambition. Good music deserves a matching video that interprets the song visually. The video production is clean and polished, with vibrant colours, costumes, diverse locations used and exceptional cinematography that brings the song’s concept to life. The video holds attention through the artists’ performances.

Hypertribeng: Instagram

“Getting Paid” hit #1 on Apple Music Nigeria’s top songs chart as at when it was released in September. For anyone who loves good music, “Getting Paid,” is a must-listen. As the African music scene continues to grow, collaborations like this will undoubtedly play a significant role in shaping its future. Available now stream it to experience the energy.