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Reekado Banks and Phyno – My Woman

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Reekado Banks has teamed up with Phyno for My Woman, a love-inspired single off his 2025 album The Game Needs You. The track, released in July, is already drawing attention not just for its smooth sound but also for its engaging storyline in the official music video, which dropped in September.

Photo: @reekadobanks-Instagram

Produced by Semzi and engineered by Syn X, My Woman runs a compact 2 minutes and 42 seconds. Reekado Banks pours out affection for a woman who, in his words, has turned him into “a new man.” His vocals ride easily over the mid-tempo beat, with a melodic hook that stays in your head after the first listen. Phyno steps in with a fiery verse delivered in Igbo and English, adding grit and cultural depth to the love narrative. The back and forth of melody and rap is what gives the track its weight. It is heartfelt but not one dimensional.

The music video, directed by Baba Millz, adds another layer to the story. It opens with a striking scene: a young woman stranded in the rain, trying to flag down a taxi. Reekado appears with an umbrella, only to be brushed aside. Their paths cross again at a bar, where he tries to start a conversation, but she remains cold. The persistence pays off when they meet at a lounge. This time, his charm works and she finally agrees to give him her number.

Photo: @phynofino-Instagram

Phyno’s entrance flips the plot. He is seen with a woman identical to Reekado’s love interest, rapping confidently in Igbo and English. The video’s twist comes at a lively party scene, where Reekado spots Phyno with the look alike. Just as he is about to confront the situation, the real woman walks in. This reveals that Phyno’s companion is her twin, styled in the same outfit and hairstyle. The confusion resolves into a playful ending, cleverly tying back to the song’s theme of admiration and desire.

Photo: @reekadobanks-Instagram

The visual narrative keeps viewers hooked from start to finish. The rain soaked opening, the dramatic bar rejection, the lounge reconciliation, and the twin reveal party scene all build into a story that feels cinematic without losing its lighthearted charm. The styling, editing, and pacing match the rhythm of the song. The video is more than just an accessory; it is a short film in its own right.

With My Woman, Reekado Banks reinforces his ability to craft love songs that speak directly to his audience. Phyno also proves once again that he can adapt his rap into any setting without losing his signature edge. Together, they have delivered not just a song but an experience that works on both speakers and screens.

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Music

Adekunle Gold Honoured With Plaque After Historic Sold-Out Night at the National Theatre

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Adekunle Gold became the first artiste to sell out the newly renovated National Theatre, following it’s renaming as the Wole Soyinka centre for culture and creative arts. His concert on December 26, 2025, filled the 3,500-capacity hall just weeks after it’s reopening.

The performances spanned all six albums, with a strong focus on his Fuji project. The 55-piece MUSON Orchestra joined his band, The 79th Element, enhancing the richness of the life performance. Olamide hosted. Davido performed Only God Can Save Me, while Adewale Ayuba and Yinka Ayefele joined the lineup.

Adekunle Gold – Instagram

After the show, Adekunle gold received plaques. One honoured him as the venues first sell-out headliner, while the other was presented to his label. He later thanked fans on social media and announced dates for his North America tour.

Social media quickly filled with videos of the orchestra and guest appearances, with fans describing the night as a key moment for live shows in Lagos.

With improved sound and seating, the National Theatre is once again hosting major acts. Adekunle Gold’s set ran for over two hours, blending fuji, highlife, and afrobeats.

The crowd sang along to hits like High as well as new Fuji tracks, with lights and screens moving in sync with the music.

Adekunle Gold – Instagram

The plaque ceremony took place backstage, where officials from the Wole Soyinka Centre for Culture and Creative Arts handed them over. Photos from the moment spread across Instagram and X (formerly Twitter), as fans trended #AGNationalTheatre.

Fans have since described the show as setting a new standard for concerts. Lagos venues are already booking more dates. Adekunle Gold is set to release new music in 2026, with North America tour dates beginning soon.

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Ciara, Oxlade and Moliy Team Up on “Nice n’ Sweet” A Smooth Blend of R&B and Afrobeats

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Ciara’s latest release, “Nice n’ Sweet,” arrives with the kind of clarity that shows a deliberate new phase. Featured on the CiCi deluxe edition, the track pairs her R&B foundations with a lively Afro-influenced sound shaped by Oxlade and Moliy, two artists who have created a unique spaces within African pop’s today’s sound. The collaboration pulls three different style into one direction, resulting in a song that feels good in its mix.

Produced by Shyne and Lucky Jones, the single uses a warm beat and smooth melodic patterns that give the song its rhythm. Ciara’s delivery stays soft, setting the tone before Oxlade steps in with his smooth, instantly recognisable tone. Moliy adds a lightness that rounds out the trio’s chemistry, creating a mix that feels global without without drifting.

Ciara & Moliy: Instagram

Lyrically, the track plays with intimacy and rhythm, reflecting the playful lines that have already drew interest online. It’s an easy listen on the surface, though there’s a clear intention in how each voice is arranged in parts, lending the record a clean result that suits its cross-cultural identity.

Beyond the sound, “Nice n’ Sweet” marks another point in Ciara’s ongoing connection to African music, a relationship she has been exploring more openly in recent years. Oxlade’s inclusion reflects his continued rise among international audiences, while for Moliy, the feature signals another significant step in her expanding path.

 

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14-Year-Old Champz Debuts at No. 1 on Apple Music Nigeria

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At 14 years old, Champz, real name Boluwatife Balogun, has become the youngest artist to reach No. 1 on the Apple Music Nigeria Top Albums chart with his debut EP, Champion’s Arrival. The five-track project, just eleven minutes long, was released on November 11, 2025, and topped the chart within five hours.

Champz – Instagram

While his father, global Afrobeats star Wizkid, is a recognized name, Champz’s achievement is notable for being entirely solo. The EP features no guest artists, highlighting his ability to connect with listeners independently. Its concise format also reflects a clear understanding of today’s streaming-focused audience, where short, focused projects can make a strong impact quickly.

The success positions Champz among the youngest artists in Nigeria to reach a chart-topping release. It also shows that early exposure and guidance from a music family can translate into tangible results, provided the talent is real. Rather than relying on collaborations or hype, Champz’s work demonstrates self-reliance and a grasp of his musical identity at an age when most are still exploring their interests.

Champz – Instagram

Reaching No. 1 on Apple Music Nigeria is significant. The platform measures real-time streams, and a top position often forecasts broader commercial and media opportunities. For Champz, the milestone confirms that he has captured attention not only because of his surname but because of the music itself.

Looking ahead, sustaining this momentum will be crucial. He has the opportunity to expand through visuals, live performances, and selective international exposure. At the same time, maintaining focus on his own sound and growth rather than comparisons to his father or peers will be essential for long-term credibility.

Champz – Instagram

This debut also reflects a broader shift in Nigerian music. Younger artists are entering the industry with digital-first strategies, short releases, and immediate engagement with audiences. Champz’s achievement illustrates that age is no longer a barrier when talent meets the right timing and approach.

By topping Apple Music at 14, Champz has made a measurable mark on the Nigerian music scene. His debut shows that careful preparation, focus, and genuine talent can translate into early success. For the industry, his rise serves as a reminder that young artists can achieve significant milestones if given the right platform and guidance.

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