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Review: A7S, David Guetta & WizKid Light Things Up with Lighter

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There’s something steady about Lighter — no rush, no noise, just a song that knows what it wants to be. A7S, David Guetta, and WizKid come together on this track without stepping over each other. It’s not about showing off. It’s about making space for mood, rhythm, and feeling.

A7S opens with a soft, almost weary vocal. “So take the pain away, make it lighter,” he sings — not with drama, but with quiet honesty. His voice sits just above the beat, not straining for emotion but letting it come through naturally. The production under him is sparse but warm, giving the lyrics room to breathe.

David Guetta, who often leans toward bold, energetic sounds, holds back here. His touch is more subtle than usual. The beat moves with a calm pulse — there’s structure, but it doesn’t overpower. It’s a shift from his typical style, but it fits the tone of the track. You can tell the goal wasn’t to make something loud. It was to make something that sits with you.

Then WizKid enters. His delivery is smooth, relaxed, and completely in his element. He weaves between English and Yoruba without missing a beat. One moment he sings, “Baby make I hold you tighter,” and then shifts to, “Emi naa lo mo pe mo wa alright.” It doesn’t feel like a performance; it feels like how he talks. That ease adds something you don’t hear in every pop collaboration — a bit of home, a bit of truth.

WizKid’s verses always carry a certain calm, and here, that calm sharpens the song rather than slowing it down. The Yoruba lines aren’t just decorative — they belong there. They ground the song in real-life rhythm, making it less polished in the best possible way.

There’s a clear rhythm to Lighter, but it doesn’t rely on a hook to carry it. The lyrics are simple, but that simplicity is what makes them feel close. Nobody’s trying to outshine anyone. The parts are balanced. A7S brings a light touch, Guetta stays in the background, and WizKid fills the spaces with warmth.

At under three minutes, the song ends as gently as it began. No big finish, no buildup to a drop — just a fade that feels earned. You might not notice every detail the first time around, but it stays with you, and the next time it plays, it feels familiar.

Lighter doesn’t push to be a hit. It’s more personal than that — more like a moment caught in the middle of a busy day, or a voice note sent late at night. And that’s exactly why it works.

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Music

Tolani Otedola Turns Unfinished Songs into a Cohesive Debut EP

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Tolani Otedola’s debut EP, Sh!t I Never Finished, is shaped by a straightforward admission she made herself: these songs were once abandoned drafts. Instead of discarding them or reinventing them beyond recognition, she completed the work and presented it as a unified project. It’s an unusual approach in a landscape where most artists debut with highly polished introductions, but hers is anchored in the decision to finish what she previously put aside.

Tolani – Instagram

The seven-track EP keeps its production intentionally narrow. Tolani leans on focused arrangements that leave room for her writing and vocal tone to carry the weight of each track. The choices are deliberate rather than dramatic. Even the collaboration with Pheelz feels purposeful. His contribution strengthens the structure of the song he appears on, without shifting the project into a different direction or chasing a trend.

A defining feature of the EP is its refusal to hide its origins. Some songs retain a slightly raw edge, the kind you expect from material that lived as drafts before being revisited. Instead of smoothing every corner, Tolani allows the history of the songs to remain visible. It gives the project a documentary quality. Listeners hear what was completed, not what was rebuilt from scratch.

Tolani – Instagram

Reaction to the release has centred on the simple fact that Tolani now has a full body of work after years of occasional releases. It positions her clearly within the Nigerian music landscape, not through a rebrand but through a complete project that shows her writing style, vocal choices and artistic priorities without distraction.

Not every track lands equally. A few would benefit from sharper hooks or more rhythmic variation, but these gaps don’t weaken the project’s intent. They underscore that this is a debut built from material she chose to finish honestly, not repackage into something overly processed.

Tolani – Instagram

Tolani described the EP as “my small victory”, and the project reflects exactly that. The decision to complete unfinished work and release it without theatrics stands out. Sh!t I Never Finished serves as a clear statement. She has completed the songs she once left behind, and she has done so on her own terms.

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Ciara, Oxlade and Moliy Team Up on “Nice n’ Sweet” A Smooth Blend of R&B and Afrobeats

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Ciara’s latest release, “Nice n’ Sweet,” arrives with the kind of clarity that shows a deliberate new phase. Featured on the CiCi deluxe edition, the track pairs her R&B foundations with a lively Afro-influenced sound shaped by Oxlade and Moliy, two artists who have created a unique spaces within African pop’s today’s sound. The collaboration pulls three different style into one direction, resulting in a song that feels good in its mix.

Produced by Shyne and Lucky Jones, the single uses a warm beat and smooth melodic patterns that give the song its rhythm. Ciara’s delivery stays soft, setting the tone before Oxlade steps in with his smooth, instantly recognisable tone. Moliy adds a lightness that rounds out the trio’s chemistry, creating a mix that feels global without without drifting.

Ciara & Moliy: Instagram

Lyrically, the track plays with intimacy and rhythm, reflecting the playful lines that have already drew interest online. It’s an easy listen on the surface, though there’s a clear intention in how each voice is arranged in parts, lending the record a clean result that suits its cross-cultural identity.

Beyond the sound, “Nice n’ Sweet” marks another point in Ciara’s ongoing connection to African music, a relationship she has been exploring more openly in recent years. Oxlade’s inclusion reflects his continued rise among international audiences, while for Moliy, the feature signals another significant step in her expanding path.

 

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14-Year-Old Champz Debuts at No. 1 on Apple Music Nigeria

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At 14 years old, Champz, real name Boluwatife Balogun, has become the youngest artist to reach No. 1 on the Apple Music Nigeria Top Albums chart with his debut EP, Champion’s Arrival. The five-track project, just eleven minutes long, was released on November 11, 2025, and topped the chart within five hours.

Champz – Instagram

While his father, global Afrobeats star Wizkid, is a recognized name, Champz’s achievement is notable for being entirely solo. The EP features no guest artists, highlighting his ability to connect with listeners independently. Its concise format also reflects a clear understanding of today’s streaming-focused audience, where short, focused projects can make a strong impact quickly.

The success positions Champz among the youngest artists in Nigeria to reach a chart-topping release. It also shows that early exposure and guidance from a music family can translate into tangible results, provided the talent is real. Rather than relying on collaborations or hype, Champz’s work demonstrates self-reliance and a grasp of his musical identity at an age when most are still exploring their interests.

Champz – Instagram

Reaching No. 1 on Apple Music Nigeria is significant. The platform measures real-time streams, and a top position often forecasts broader commercial and media opportunities. For Champz, the milestone confirms that he has captured attention not only because of his surname but because of the music itself.

Looking ahead, sustaining this momentum will be crucial. He has the opportunity to expand through visuals, live performances, and selective international exposure. At the same time, maintaining focus on his own sound and growth rather than comparisons to his father or peers will be essential for long-term credibility.

Champz – Instagram

This debut also reflects a broader shift in Nigerian music. Younger artists are entering the industry with digital-first strategies, short releases, and immediate engagement with audiences. Champz’s achievement illustrates that age is no longer a barrier when talent meets the right timing and approach.

By topping Apple Music at 14, Champz has made a measurable mark on the Nigerian music scene. His debut shows that careful preparation, focus, and genuine talent can translate into early success. For the industry, his rise serves as a reminder that young artists can achieve significant milestones if given the right platform and guidance.

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