Whenever Ayra Starr and Rema share the screen, something sparks. Their new video, “Who’s Dat Girl,” doesn’t follow the usual Afropop script of fast cars and flashing lights. It plays out like a short film, layered with culture, rhythm, and a calm assurance that draws you in.

Ayra Starr – Instagram

Directed by Meji Alabi, the video opens with masked riders racing through the Moroccan desert as the beat rolls in. Ayra Starr appears next, composed yet commanding, dressed in black and radiating intent. Rema joins her soon after, his delivery steady and smooth; the contrast between them feels quietly magnetic.

Ayra Starr – Instagram

The visuals balance heat and grace, gold light against desert blues, each scene deliberate and textured. Dancers move around them with fluid ease, adding rhythm without distraction. The focus stays on Ayra and Rema, composed and completely at ease in the moment.

What sets “Who’s Dat Girl” apart is its tone. The title hints at curiosity, but the video turns it into a story about control and connection. Ayra commands attention with ease; Rema answers with restraint. Their chemistry feels natural, not staged; just two artists meeting at the same creative wavelength.

Ayra Starr – Instagram

Within hours of release, the video shot up the charts and dominated timelines. Viewers couldn’t stop replaying Ayra’s steady gaze, Rema’s subtle grin, and that final shot, her leaning toward a black dog statue, whispering the title line like a secret. It’s a finish that lingers, full of presence and intent.

Ayra Starr – Instagram

Beyond the visuals, the song itself carries a sound that’s both familiar and daring. It blends Afropop with R&B and touches of Middle Eastern rhythm, creating something that feels global without losing its soul. It’s smooth, memorable, and quietly striking.

With this release, Ayra Starr and Rema remind listeners why they’re leading Nigeria’s new sound. They don’t chase trends; they create moments. “Who’s Dat Girl” works because it feels genuine, confident, and exactly what you’d expect from two artists who understand their own power.

Nigeria’s Afrobeats star Asake is set to achieve a new milestone. On 8 November 2025, he will become the first African artist to headline Red Bull Symphonic in New York City, performing live at the iconic Kings Theatre in Brooklyn.

Red Bull Symphonic is known for pairing global music acts with full orchestras, creating striking performances that merge contemporary sound with classical depth. For the New York edition, Asake will perform some of his biggest songs with orchestral arrangements, backed by a large ensemble conducted by Glenn Alexander II.

Photo: @asakefp-Instagram

For Nigerian fans, this moment carries special pride. It is a clear sign of Afrobeats’ growing reach across continents. Asake’s rise has been remarkably swift. From breakout hits like Omo Ope to chart-toppers such as Peace Be Unto You and Lonely at the Top, he has built a reputation for blending Yoruba rhythms and street-inspired lyrics with a sound that resonates globally.

Photo: @afrika.world-Instagram

The Kings Theatre, with its rich history and nearly 3,000-seat capacity, is a fitting venue for the occasion. Tickets are expected to sell quickly, given Asake’s global popularity and the uniqueness of the show.

Red Bull has confirmed that this will be the first time an African artist headlines the Symphonic series in New York, highlighting the significance of the occasion. For audiences at home and abroad, it marks another step in Afrobeats’ expansion into new spaces once reserved for other genres.

Photo: @asakefp-Instagram

This performance will also offer fans a fresh way to experience Asake’s music. His signature Yoruba-infused vocals and street anthems, reimagined with sweeping strings and powerful horns, are expected to give the songs a completely different texture.

On that November night in Brooklyn, Asake will be representing both Afrobeats and Nigeria on one of the world’s grandest stages. It will show that Nigerian music now commands space on the world’s most prestigious platforms.

Reekado Banks has teamed up with Phyno for My Woman, a love-inspired single off his 2025 album The Game Needs You. The track, released in July, is already drawing attention not just for its smooth sound but also for its engaging storyline in the official music video, which dropped in September.

Photo: @reekadobanks-Instagram

Produced by Semzi and engineered by Syn X, My Woman runs a compact 2 minutes and 42 seconds. Reekado Banks pours out affection for a woman who, in his words, has turned him into “a new man.” His vocals ride easily over the mid-tempo beat, with a melodic hook that stays in your head after the first listen. Phyno steps in with a fiery verse delivered in Igbo and English, adding grit and cultural depth to the love narrative. The back and forth of melody and rap is what gives the track its weight. It is heartfelt but not one dimensional.

The music video, directed by Baba Millz, adds another layer to the story. It opens with a striking scene: a young woman stranded in the rain, trying to flag down a taxi. Reekado appears with an umbrella, only to be brushed aside. Their paths cross again at a bar, where he tries to start a conversation, but she remains cold. The persistence pays off when they meet at a lounge. This time, his charm works and she finally agrees to give him her number.

Photo: @phynofino-Instagram

Phyno’s entrance flips the plot. He is seen with a woman identical to Reekado’s love interest, rapping confidently in Igbo and English. The video’s twist comes at a lively party scene, where Reekado spots Phyno with the look alike. Just as he is about to confront the situation, the real woman walks in. This reveals that Phyno’s companion is her twin, styled in the same outfit and hairstyle. The confusion resolves into a playful ending, cleverly tying back to the song’s theme of admiration and desire.

Photo: @reekadobanks-Instagram

The visual narrative keeps viewers hooked from start to finish. The rain soaked opening, the dramatic bar rejection, the lounge reconciliation, and the twin reveal party scene all build into a story that feels cinematic without losing its lighthearted charm. The styling, editing, and pacing match the rhythm of the song. The video is more than just an accessory; it is a short film in its own right.

With My Woman, Reekado Banks reinforces his ability to craft love songs that speak directly to his audience. Phyno also proves once again that he can adapt his rap into any setting without losing his signature edge. Together, they have delivered not just a song but an experience that works on both speakers and screens.