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Asake and Tiakola’s “Badman Gangsta”

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From the very first shot, Badman Gangsta grabs your attention with its raw, vintage vibe. Filmed mostly in black and white, the video transports you to a world where music, fashion, and culture meet in a seamless dance. Asake and Tiakola don’t just perform the song—they embody it, inviting viewers on a visual journey that mirrors the track’s cool, steady rhythm.

The video begins amid the buzz of Paris Fashion Week, setting a sophisticated yet grounded tone. Asake moves through the scene with calm assurance, blending effortlessly into the backdrop of models and designers. This isn’t about loud displays; it’s about quiet confidence—owning your space without needing to shout.

As the story unfolds, the focus shifts to different locations—from recording studios to city streets—highlighting how music today transcends borders. The grainy film texture and choice to shoot in monochrome give the scenes a classic look that emphasizes mood over moment, allowing the feelings behind the song to take center stage.

Tiakola’s verse adds another layer, weaving his French lyrics naturally with Asake’s Yoruba and English lines. This mix not only reflects a blend of languages but also speaks to shared experiences across cultures. The video supports this connection with urban backdrops and candid shots that capture authentic moments between the artists.

One of the video’s strongest points is its restraint. It doesn’t rely on flashy special effects or elaborate choreography. Instead, it focuses on atmosphere, expression, and storytelling. Every scene feels deliberate, striking a balance that keeps the viewer engaged without overwhelming the senses.

Badman Gangsta is more than a music video—it’s a statement on how Afrobeats is evolving. It shows how artists like Asake and Tiakola honor their roots while reaching for a global audience, blending sound and visuals in a way that’s both personal and far-reaching.

By the end, the lasting impression is of a piece that matches the song’s energy perfectly: thoughtful, stylish, and quietly powerful—a visual reflection of a track already making a mark worldwide.

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Blaqbonez Stakes His Claim With “Everlasting Taker”

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Blaqbonez has built a career on turning verses into declarations, and his new single “Everlasting Taker” follows that tradition. Released under Chocolate City Music, the track doesn’t sound like a quick flex: it sounds like a rapper setting down a marker for the long run.

From the first line, you hear an artist intent on proving he’s not a flash in the pan. “I go dey here when the dust settle,” he raps, voice steady with the kind of defiance his fans know him for. Beyond the bravado, this line declares his permanence in the game.

Photo: @Blaqbonez-Instagram

The production, handled by Ragee, balances pounding drums with airy synth layers, creating a backdrop that keeps Blaqbonez squarely at the centre. Over it, he moves between sharp, unflinching rap lines and a hook that drills itself into your head: “everlasting taker.” Simple but memorable, the song keeps replaying in your head after the track finishes.

Lyrically, Blaqbonez walks a line between raw confidence and rare honesty. He brags about his rise and his place in the game, but he also hints at the years of being overlooked and doubted. That blend of toughness and truth is what gives the record its edge.

Photo: @Blaqbonez-Instagram

Fans haven’t missed the message. On X, reactions poured in almost immediately — one listener called it “a hustler’s anthem,” while another tagged it “the hardest Blaqbonez we’ve heard in a while.” Within days, the track was trending and climbing charts, proving the single has already struck a chord beyond his core audience.

More than just another release, Everlasting Taker feels like the opening shot of a bigger project. With his upcoming album No Excuses around the corner, this single reads like a mission statement: Blaqbonez isn’t here to compete for attention; he’s here to take his place and keep it.

“Everlasting Taker” shows Blaqbonez goes beyond temporary fame; he’s setting the stage for a lasting legacy.

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Odumodublvck, Stormzy, and Zlatan Link Up on High-Energy Track ‘Pay Me’

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Odumodublvck is back, and this time he’s crossing borders. His new single, “Pay Me”, features UK grime star Stormzy and Nigerian street-hop sensation Zlatan, delivering a track that fuses Nigerian drill with grime and highlife influences. The result is an unmistakably energetic song that resonates from Lagos to London.

Produced by Scarr, “Pay Me” balances driving drums with airy keyboards, creating a rhythm that commands attention. The chorus, “Pay me my money,” sticks instantly, while a subtle sample from the 2003 Nollywood hit “Make We Jolly” adds a touch of nostalgia. The track demonstrates Odumodublvck’s ability to blend street energy with clever production, making it feel fresh without losing its African roots.

The music video takes the song’s playful energy further. In it, Odumodublvck, Stormzy, and Zlatan attempt to crack an ATM, only for it to resist their efforts; eventually, an explosion opens the vault, triggering a celebratory dance sequence. The visuals perfectly match the song’s mix of humor and intensity, keeping viewers entertained from start to finish.

Fans have quickly embraced the release. Within days, “Pay Me” was trending across X (formerly Twitter) and Instagram, with hundreds of thousands of engagements. Prominent artists, including Olamide, have praised the track, amplifying its reach and confirming its impact on both the Nigerian and international music scene.

For listeners seeking music that combines infectious rhythms, memorable hooks, and a clear sense of style, “Pay Me” is a standout. It reinforces Odumodublvck’s growing influence and highlights the creative synergy possible when Nigerian talent collaborates with global artists.

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Kokopee Drops EP ‘All I Need It’s Kokopee

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Music lovers finally have their hands on Kokopee’s latest project, and it is already sparking conversations. On Friday, August 15, 2025, the singer and songwriter, born Ogaga Okokowa, released his new extended play “All I Need It’s Kokopee“, following a lively listening party in Lagos: fans, fellow artistes, and key figures from the music scene came together to experience it firsthand.

The EP carries seven tracks, with a total playtime of just over 17 minutes, yet it manages to pack in emotion, energy, and storytelling. Kokopee describes it as a reflection of his journey so far; one filled with tough beginnings, hard lessons, and an unshakable drive to keep moving forward. Each song flows into the next, giving listeners a sense of growth and progression while keeping its rhythm and bounce.

Speaking about the project, Kokopee explained that it is a personal blueprint: “These are the things that shaped me into who I am today. Every track shows a different side of my story; if you listen closely, you will find lessons you can relate to in your own life,” he said.

The EP also features some big names: Don Jazzy, Peruzzi, and Jeriq join Kokopee on the project, adding variety and depth to the sound. While some artistes carefully select a lead single, Kokopee is letting his fans decide which track stands out the most. “I want listeners to pick their own favorite; that is the beauty of music: it speaks differently to everyone,” he noted.

Beyond the excitement of the release, Kokopee also used the opportunity to speak openly about the challenges facing rising artistes, particularly the steep cost of music promotion. “The cost of promotion in Nigeria is almost as tough as the cost of living. That is why I advise young artistes to have something else they can rely on while they chase music. The truth is, it is expensive; but I keep pushing by God’s grace,” he shared.

With All I Need It’s Kokopee, the artiste is not just putting out new music: he is opening a window into his world, a mix of resilience, creativity, and ambition. Short in length but rich in substance, the EP feels like the beginning of a new chapter; one that might just define the next phase of his career.

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