The trailer wastes no time. A man with his face hidden darts through chaotic Paris traffic, blood on his hands and sirens blaring behind him. Within seconds, it’s clear—Sin is not here to tiptoe. This is a full-blown, no-holds-barred action thriller, and Jim Iyke is at the center of the storm.

After months of anticipation and cross-continental filming, Sin: The First Kill finally shows its hand with a trailer that’s as tense as it is visually slick. Dark, fast-paced, and gripping from the first frame, the film dives into the brutal world of international drug cartels, betrayal, and survival. Jim Iyke stars as a man haunted by his past and hunted in his present. He’s not playing the hero—he’s just trying to make it out alive.

The scale of the film is immediately noticeable. From the gritty streets of Lagos to the cold shadows of Paris, Sin is clearly built for a global audience. Directed by Dimeji Ajibola and Yemi Morafa, the film isn’t afraid to move fast, cross borders, or get its hands dirty.

Iyke’s performance—based on the trailer—comes across as raw and electric. One minute he’s composed in a tailored suit, the next he’s fighting for his life, rage in his eyes and gun in hand. He carries the weight of someone with too many secrets and too little time. It’s clear this is more than just another lead role for Iyke—it’s personal.

Backing him is a cast that balances screen veterans and rising stars. Toni Tones brings sharp intensity to her scenes, while Yemi Blaq, Shaffy Bello, and Chidi Mokeme lend serious weight. Viewers also get unexpected appearances from media personalities like Toke Makinwa and Teddy A, stepping out of their usual lanes into something darker.

Visually, the film doesn’t cut corners. Cinematographer Peter Moloto delivers crisp, cinematic shots, whether capturing explosive action or quiet tension. The fight choreography is tight and believable. And the pacing? It leaves no room to breathe.

It also helps that this is no shoestring-budget project. With Amazon Prime Video backing the production and a reported $2.5 million investment, Sin stands among the most ambitious Nollywood films to date. Jim Iyke, who also serves as executive producer, isn’t just aiming high—he’s aiming internationally.

Set to premiere globally on July 24 via Prime Video, Sin could mark a turning point for the Nigerian film industry. It’s not just the action, or the star power, or the slick camera work. It’s the intent. This is a film that wants to do more—and be more—than what’s come before.

With the trailer now out and buzz growing fast, one thing is certain: Jim Iyke isn’t whispering. He’s kicking down the door—and Sin might just be his loudest statement yet.

Kemi Adetiba doesn’t repeat herself. After the grand ambition of King of Boys, she returns with something leaner, darker, and much more personal. Her latest project, To Kill a Monkey, is an eight-part crime series set to premiere on Netflix this July. From the very first episode, you can tell the story isn’t about power—it’s about the weight people carry. That weight builds over time, quietly pressing in, until something eventually snaps.

At the centre is Efemini (William Benson), a man living an ordinary life until a familiar face from the past turns up. What begins as a simple reunion soon becomes a spiral into cybercrime, where choices shrink and consequences multiply. There are no flashy setups or over-the-top plot twists. What you get instead is a portrait of a man slipping into a life he never imagined for himself—bit by bit.

The trailer, released in late June, keeps things subtle. There are no dramatic speeches or slow-motion chaos. Just quiet tension, restrained performances, and a world that feels close—maybe too close. Benson plays Efemini with the kind of stillness that suggests inner turmoil, while Bucci Franklin, as the friend who leads him astray, brings just enough charm to make you uneasy.

The cast is packed with familiar names—Stella Damasus, Ireti Doyle, Chidi Mokeme, Bimbo Akintola, Lilian Afegbai—but this isn’t a story built around celebrity moments. These actors blend into the world. Their performances don’t demand attention; they earn it. They play people who seem real, caught in circumstances that feel all too familiar.

Filmed over two months in 2023, the series marks a new phase for Adetiba. It’s her first major project without Sola Sobowale, and the shift in tone is unmistakable. Gone are the fiery confrontations and political theatre. What remains is quiet desperation—and the choices people make when there are no good options left.

To Kill a Monkey doesn’t try to impress. It tells a story about survival, temptation, and the heavy cost of crossing lines you thought you never would. If the full series delivers on the promise of its trailer, it may be Kemi Adetiba’s most focused and emotionally honest work yet.

Miss Kanyin, a Nollywood-themed horror movie produced by Nemisia Studios and directed by Ossai Jerry, was released on the 27th of June. With a cast led by Temi Otedola, Keppy Ekpeyong, Michelle Dede and Towalani George, the movie sets the stage for a bone-chilling supernatural story, It draws from an old Nigerian folktale-perfectly blending normal school pressure, and a haunting boarding school setting.

Plot

Miss Kanyin takes place in an elite Nigerian boarding school that was built on a land  where something sinister had happened years back.  When the academic pressure becomes more than just stress—it opens a portal to horror. When student Amara seeks supernatural help to ace her exams, she accidentally summons an ancient spirit known as Ms. Kanyin. What started as a private academic venture quickly turned into a nightmarish fight for survival. Think school drama with a supernatural twist, and you’re right in the heart of this Afro-horror thriller’s plot.

Cinematography / Visuals

The film direction in Miss Kanyin sets the mood from the very start, From the dim lighting and empty hall ways, confined spaces to the eerie background sounds that slowly builds suspense and make you feel like something is always lurking around the corner somewhere. The camera angles also added to the mystery, making even ordinary scenes feel tense.

Visually, the movie delivers where it matters. The special effects makeup, especially during the bloody scenes, is realistic enough to make you flinch . From the injured faces to the eerie shadows, the horror is portrayed in a way that feels believable without being overdone. The boarding school settings also added a nostalgic effect, with just enough creep factor to make your skin crawl.

Characters & Performance

• Amara (Temi Otedola) really pulls you in—her transition from that confident student to a terrified survivor is powerful.

• Ms. Kanyin (Michelle Dede) was all calm and composed yet unsettling. She turned from an average school teacher to that haunting force in the storyline. She was the plot twist of the movie.

• Keppy Ekpeyong and Michelle Dede, as teachers and guardians, added tension with their concerned gazes and hushed cautions, like any other regular teacher. The movie hints at believable interactions—no forced acting, just genuine fear and worry in their eyes.

Our Review
What stands out about Miss Kanyin is how it turns academic ambition into horror, And the fact that we can all relate to it because it’s deeply rooted in the ancient Nigerian folklore “Madam Koi Koi. It made us see what one is willing to risk for success and there’s a lesson to this story, how our actions can summon consequences we never imagined. It’s suspenseful, emotional, and feels rooted in local culture—a rare mix in Afro-horror.

Final Thoughts
Miss Kanyin isn’t just another horror story; it’s related to real fears (exam stress, school life) and then flips the script with supernatural consequences. It might not be for the faint-hearted, but if you enjoy horror movies with a Nigerian twist, then this is one film you should definitely check out.
Have you seen it yet? Watch the video below to get a glimpse of it.