Music
Oscar Heman-Ackah & 2Baba’s “Save Me from Myself”

The video opens with 2Baba staring straight into the camera—not with flair, but with pain. No distractions. Just his face. His eyes. His voice. The way he sings that first line doesn’t feel like a performance—it feels like a plea. In that moment, you’re not watching—you’re inside the guilt, inside the quiet storm he’s been carrying for too long. The song, already weighty with emotion on its own, is the original soundtrack from To Kill a Monkey—a limited series already stirring conversation for its bold storytelling.
This is the heart of “Save Me from Myself”, the collaborative single by Oscar Heman-Ackah and 2Baba, paired with a striking visual directed by Kemi Adetiba.
A Man on Trial—By Himself
The central metaphor of the video unfolds in a surreal courtroom where 2Baba plays multiple roles: the judge, the accused, the spectator, and even part of the crowd. It’s a deliberate decision—and a powerful one. This is a trial of the self, where guilt isn’t just remembered, it’s performed. The imagery mirrors what many go through privately—punishing themselves long before anyone else does.
Each version of 2Baba feels distinct. The judge is cold and distant. The accused is visibly shaken. But perhaps the most jarring layer comes from the background noise: the crowd—loud, aggressive, and merciless—shouting and jeering at him as the trial unfolds. Their faces blur into the background, but their voices hit like stones. It’s not just judgment—it’s humiliation. It captures the chaos of a mind in crisis, when even imagined onlookers become enemies.
When the guilty verdict is delivered, he doesn’t protest. He doesn’t flinch. He accepts it quietly—like someone who’s been carrying that sentence long before it was spoken aloud.
The Drowning Man: A Soul in Crisis
Scattered between the courtroom scenes are haunting underwater shots. 2Baba, submerged in dark water, not struggling—just sinking. Not screaming—just still. It’s not dramatic. It’s devastating. The kind of descent that speaks to people who’ve felt numb for so long they forget what the surface looks like.
When 2Baba Sings, He Means It
Throughout the video, 2Baba sings directly into the camera—unblinking, stripped of ego. There’s no act here. His performance feels more like a confession. His gaze doesn’t waver. And because of that, neither does yours. There’s a raw kind of bravery in singing something so heavy and looking your listener dead in the eye while you do it.
It’s the kind of moment that doesn’t beg for sympathy—it demands honesty. You’re not just hearing him. You’re seeing him. And maybe, seeing yourself too.
Themes That Stay With You
This isn’t a breakup song. It’s not a love ballad. It’s something heavier. A reckoning. The song—and especially the video—deals with emotional isolation, shame, regret, and the fear of never outrunning your past. The courtroom is the mind. The crowd is your conscience. The judge is your memory. And the sentence? That’s the part you’ve written for yourself.
Final Thoughts: A Confession Set to Music
“Save Me from Myself” is brave in its simplicity and relentless in its truth. Kemi Adetiba’s direction gives it space to breathe—to ache—to haunt. There are no distractions. No gloss. Just two things: a message, and a man willing to speak it.
And 2Baba? He delivers one of the most emotionally exposed performances of his career. Quiet. Controlled. Unforgettable.
In One Sentence?
This is what it looks like when guilt becomes the loudest voice in the room—and there’s nowhere left to hide.
Music
Blaqbonez Stakes His Claim With “Everlasting Taker”

Blaqbonez has built a career on turning verses into declarations, and his new single “Everlasting Taker” follows that tradition. Released under Chocolate City Music, the track doesn’t sound like a quick flex: it sounds like a rapper setting down a marker for the long run.
From the first line, you hear an artist intent on proving he’s not a flash in the pan. “I go dey here when the dust settle,” he raps, voice steady with the kind of defiance his fans know him for. Beyond the bravado, this line declares his permanence in the game.

Photo: @Blaqbonez-Instagram
The production, handled by Ragee, balances pounding drums with airy synth layers, creating a backdrop that keeps Blaqbonez squarely at the centre. Over it, he moves between sharp, unflinching rap lines and a hook that drills itself into your head: “everlasting taker.” Simple but memorable, the song keeps replaying in your head after the track finishes.
Lyrically, Blaqbonez walks a line between raw confidence and rare honesty. He brags about his rise and his place in the game, but he also hints at the years of being overlooked and doubted. That blend of toughness and truth is what gives the record its edge.

Photo: @Blaqbonez-Instagram
Fans haven’t missed the message. On X, reactions poured in almost immediately — one listener called it “a hustler’s anthem,” while another tagged it “the hardest Blaqbonez we’ve heard in a while.” Within days, the track was trending and climbing charts, proving the single has already struck a chord beyond his core audience.
More than just another release, Everlasting Taker feels like the opening shot of a bigger project. With his upcoming album No Excuses around the corner, this single reads like a mission statement: Blaqbonez isn’t here to compete for attention; he’s here to take his place and keep it.
“Everlasting Taker” shows Blaqbonez goes beyond temporary fame; he’s setting the stage for a lasting legacy.
Music
Odumodublvck, Stormzy, and Zlatan Link Up on High-Energy Track ‘Pay Me’

Odumodublvck is back, and this time he’s crossing borders. His new single, “Pay Me”, features UK grime star Stormzy and Nigerian street-hop sensation Zlatan, delivering a track that fuses Nigerian drill with grime and highlife influences. The result is an unmistakably energetic song that resonates from Lagos to London.
Produced by Scarr, “Pay Me” balances driving drums with airy keyboards, creating a rhythm that commands attention. The chorus, “Pay me my money,” sticks instantly, while a subtle sample from the 2003 Nollywood hit “Make We Jolly” adds a touch of nostalgia. The track demonstrates Odumodublvck’s ability to blend street energy with clever production, making it feel fresh without losing its African roots.
The music video takes the song’s playful energy further. In it, Odumodublvck, Stormzy, and Zlatan attempt to crack an ATM, only for it to resist their efforts; eventually, an explosion opens the vault, triggering a celebratory dance sequence. The visuals perfectly match the song’s mix of humor and intensity, keeping viewers entertained from start to finish.
Fans have quickly embraced the release. Within days, “Pay Me” was trending across X (formerly Twitter) and Instagram, with hundreds of thousands of engagements. Prominent artists, including Olamide, have praised the track, amplifying its reach and confirming its impact on both the Nigerian and international music scene.
For listeners seeking music that combines infectious rhythms, memorable hooks, and a clear sense of style, “Pay Me” is a standout. It reinforces Odumodublvck’s growing influence and highlights the creative synergy possible when Nigerian talent collaborates with global artists.
Music
Kokopee Drops EP ‘All I Need It’s Kokopee

Music lovers finally have their hands on Kokopee’s latest project, and it is already sparking conversations. On Friday, August 15, 2025, the singer and songwriter, born Ogaga Okokowa, released his new extended play “All I Need It’s Kokopee“, following a lively listening party in Lagos: fans, fellow artistes, and key figures from the music scene came together to experience it firsthand.
The EP carries seven tracks, with a total playtime of just over 17 minutes, yet it manages to pack in emotion, energy, and storytelling. Kokopee describes it as a reflection of his journey so far; one filled with tough beginnings, hard lessons, and an unshakable drive to keep moving forward. Each song flows into the next, giving listeners a sense of growth and progression while keeping its rhythm and bounce.
Speaking about the project, Kokopee explained that it is a personal blueprint: “These are the things that shaped me into who I am today. Every track shows a different side of my story; if you listen closely, you will find lessons you can relate to in your own life,” he said.
The EP also features some big names: Don Jazzy, Peruzzi, and Jeriq join Kokopee on the project, adding variety and depth to the sound. While some artistes carefully select a lead single, Kokopee is letting his fans decide which track stands out the most. “I want listeners to pick their own favorite; that is the beauty of music: it speaks differently to everyone,” he noted.
Beyond the excitement of the release, Kokopee also used the opportunity to speak openly about the challenges facing rising artistes, particularly the steep cost of music promotion. “The cost of promotion in Nigeria is almost as tough as the cost of living. That is why I advise young artistes to have something else they can rely on while they chase music. The truth is, it is expensive; but I keep pushing by God’s grace,” he shared.
With All I Need It’s Kokopee, the artiste is not just putting out new music: he is opening a window into his world, a mix of resilience, creativity, and ambition. Short in length but rich in substance, the EP feels like the beginning of a new chapter; one that might just define the next phase of his career.
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