After five years of anticipation, Tiwa Savage is back, and she’s done it in a way only she could. This One Is Personal, her fourth studio album, drops August 29, 2025, marking a bold, intimate chapter in her musical journey.

Recorded across Nashville, London, and Lagos, the 15-track album explores love, heartbreak, and resilience with striking honesty. From the sultry rhythms of “You4Me” to the reflective tones of “Angel Dust,” each track carries a distinct energy while maintaining a cohesive flow.

Photo: @tiwasavage-Instagram

Tiwa kept collaborations selective, letting her voice take center stage. Skepta joins her on “On the Low,” while Taves and James Fauntleroy appear on “Addicted” and “Change.” These features complement her storytelling without overshadowing it, making the album feel distinctly hers.

What sets this release apart is its openness. Tiwa lays bare her emotions, balancing vulnerability with strength, creating songs that resonate deeply and feel immediate. Listeners don’t just hear her, they experience her journey.

Photo: @tiwasavage-Instagram

Fans can stream the album on Spotify, Apple Music, and YouTube, or download it via TrendyBeatz. This One Is Personal serves as Tiwa Savage’s invitation for listeners to step into her story, one beat at a time.

With this album, she proves that music can do more than entertain, it can reflect life, spark connection, and leave a lasting impression.

Blaqbonez has built a career on turning verses into declarations, and his new single “Everlasting Taker” follows that tradition. Released under Chocolate City Music, the track doesn’t sound like a quick flex: it sounds like a rapper setting down a marker for the long run.

From the first line, you hear an artist intent on proving he’s not a flash in the pan. “I go dey here when the dust settle,” he raps, voice steady with the kind of defiance his fans know him for. Beyond the bravado, this line declares his permanence in the game.

Photo: @Blaqbonez-Instagram

The production, handled by Ragee, balances pounding drums with airy synth layers, creating a backdrop that keeps Blaqbonez squarely at the centre. Over it, he moves between sharp, unflinching rap lines and a hook that drills itself into your head: “everlasting taker.” Simple but memorable, the song keeps replaying in your head after the track finishes.

Lyrically, Blaqbonez walks a line between raw confidence and rare honesty. He brags about his rise and his place in the game, but he also hints at the years of being overlooked and doubted. That blend of toughness and truth is what gives the record its edge.

Photo: @Blaqbonez-Instagram

Fans haven’t missed the message. On X, reactions poured in almost immediately — one listener called it “a hustler’s anthem,” while another tagged it “the hardest Blaqbonez we’ve heard in a while.” Within days, the track was trending and climbing charts, proving the single has already struck a chord beyond his core audience.

More than just another release, Everlasting Taker feels like the opening shot of a bigger project. With his upcoming album No Excuses around the corner, this single reads like a mission statement: Blaqbonez isn’t here to compete for attention; he’s here to take his place and keep it.

“Everlasting Taker” shows Blaqbonez goes beyond temporary fame; he’s setting the stage for a lasting legacy.

Odumodublvck is back, and this time he’s crossing borders. His new single, “Pay Me”, features UK grime star Stormzy and Nigerian street-hop sensation Zlatan, delivering a track that fuses Nigerian drill with grime and highlife influences. The result is an unmistakably energetic song that resonates from Lagos to London.

Produced by Scarr, “Pay Me” balances driving drums with airy keyboards, creating a rhythm that commands attention. The chorus, “Pay me my money,” sticks instantly, while a subtle sample from the 2003 Nollywood hit “Make We Jolly” adds a touch of nostalgia. The track demonstrates Odumodublvck’s ability to blend street energy with clever production, making it feel fresh without losing its African roots.

The music video takes the song’s playful energy further. In it, Odumodublvck, Stormzy, and Zlatan attempt to crack an ATM, only for it to resist their efforts; eventually, an explosion opens the vault, triggering a celebratory dance sequence. The visuals perfectly match the song’s mix of humor and intensity, keeping viewers entertained from start to finish.

Fans have quickly embraced the release. Within days, “Pay Me” was trending across X (formerly Twitter) and Instagram, with hundreds of thousands of engagements. Prominent artists, including Olamide, have praised the track, amplifying its reach and confirming its impact on both the Nigerian and international music scene.

For listeners seeking music that combines infectious rhythms, memorable hooks, and a clear sense of style, “Pay Me” is a standout. It reinforces Odumodublvck’s growing influence and highlights the creative synergy possible when Nigerian talent collaborates with global artists.