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Bucci Franklin Isn’t Just a Leading Man — He’s a Style Statement

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Bucci Franklin has a way of standing out, without saying anything at all. It’s not the clothes that draw attention, it’s the ease with which he wears them. His style is sharp, but never stiff. On red carpets or in everyday moments, he wears simple pieces with intention—nothing overdone, everything in place.

His style leans into sharp tailoring, clean lines, and an understated ease that’s hard to miss. There’s no obsession with logos or trends, just clothes that fit right, choices that feel deliberate, and a sense of presence that comes from knowing exactly what suits him. It’s the kind of dressing that doesn’t beg to be noticed, but always is.

In To Kill a Monkey, where he plays Oboz—a smooth-talking figure with a dangerous edge, his wardrobe mirrors the same control we’ve seen offscreen. But even when the cameras stop rolling, Bucci’s personal style doesn’t soften. If anything, it’s more honest. A jacket might be perfectly structured, but worn open with a T-shirt. Trousers might taper cleanly at the ankle, paired with boots that look like they’ve walked through Lagos more than once. There’s no performance in it, just polish.

What makes Bucci’s style stand out is how grounded it feels. He doesn’t dress like he’s performing for the camera, even when he’s standing in front of one. There’s a rhythm to what he wears, nothing loud, nothing lazy. Just well-cut pieces, worn like they’ve been lived in. And while it’s clear he pays attention to detail, there’s no sense of trying to impress anyone. That’s part of the charm.

He also doesn’t overcomplicate things. While others layer trends and chase new looks, Bucci stays steady. He works with what fits and sticks with what feels right. There’s a consistency to his style that reads as self-assured, not safe. It’s the kind of dressing that says: this is me, not look at me.

Even when he’s dressed up, it’s never stiff. You can tell the clothes move with him. A crisp white shirt, a dark suit, maybe no tie—but always a look that makes sense for the man wearing it. He doesn’t vanish inside the outfit. He brings it to life.

In an industry where appearance often overshadows substance, Bucci Franklin keeps things grounded. He pays attention to detail, but never lets it feel like a performance. What he wears reflects the same steadiness he brings to his roles—measured, thoughtful, and quietly sure of itself.

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Tyla Makes VMA History in Vintage Chanel and Pandora Jewels

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The 2025 MTV Video Music Awards belonged to Tyla. With “Push 2 Start,” she became the first artist to win Best Afrobeats two years in a row, a moment that showed her rise from breakout star to one of Afrobeats’ leading names worldwide. Her win placed Afrobeats firmly on the global stage, with African stars now shaping the direction of pop culture.

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Tyla’s win carried the pride of the continent, but her presence on the red carpet made just as much noise. Styled by Ron Hartleben, she arrived in a 1993 vintage Chanel corset top, worn as a cream-and-black micro-mini dress. The look was balanced with fitted black shorts, a modern twist that allowed the outfit to move between daring and clean. Around her waist, gold chain echoing the layered necklaces and heavy medallions at her neckline.

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Her partnership with Pandora was on full display as she stacked bracelets, rings, and anklets, turning jewelry into a language of detail and weight. On her feet, she chose black Louboutin pumps, a classic contrast to the rest of the look.

The beauty direction was just as deliberate: a side-parted bob, natural-toned glam and a bold green manicure  gave the look a sharp twist, showing that Tyla knows how to finish off her fashion moments.

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It was a red-carpet appearance that felt from the past yet modern, drawing from fashion history while signaling the assurance of an artist who knows she’s making history herself. The award was one part of the night. The other was seeing Tyla step onto the carpet and stage with the same assurance— an artist shaping Afrobeats.

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Temi Otedola’s Wedding Style- A Blend of Couture and Culture

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Temi Otedola’s marriage to Oluwatosin “Mr Eazi” Ajibade was more than a union of two public figures. It unfolded as a wedding in three acts, staged across Monaco, Dubai, and Iceland. Each stop offered its own story of couture, culture, and family. Reportedly costing around $14 million, the celebrations reflected both the couple’s global lifestyle and their Nigerian roots.

Photo: @temiotedola-Instagram

The journey began in Monaco on May 9 at Karl Lagerfeld’s famed Villa La Vigie. The date carried deep meaning: it was Mr Eazi’s late mother’s birthday. Temi chose a crisp custom Wiederhoeft suit, accessorised with Briony Raymond jewelry, while her groom wore Louis Vuitton. The evening ended with a private dinner at Hôtel de Paris Monte-Carlo, intimate yet refined.

Photo: @bellanaijaweddings-Instagram

From there, the spotlight shifted to Dubai, where tradition became the focus. The Otedola family home hosted the Yoruba and Igbo rites, complete with music by King Sunny Adé and spirited dancing. Temi rotated through dramatic looks by Zac Posen, Miss Sohee, Lisa Folawiyo, and Oscar de la Renta. Mr Eazi matched her energy with designs from Lisa Folawiyo Studio, Tom Talmon Studio, Jagne, and Mazelle. It was a celebration that honoured heritage without losing a modern edge.

Photo: @temiotedola-Instagram

The final chapter unfolded in Iceland, where vows were exchanged at Hallgrímskirkja Church in Reykjavík. For the rehearsal dinner, Temi wore Valentino, and on the wedding day she appeared in a breathtaking Fendi Haute Couture gown, while Mr Eazi chose Saint Laurent. Their reception at Kleif Farm reflected the Icelandic landscape with touches of moss, stone, and mist. Guests were treated to a surprise performance by John Legend, before dancing into the night under the Northern Lights.

Photo: @bellanaijaweddings-Instagram

Luxury of this scale does not come cheap. The celebrations spanned couture wardrobes, traditional attire, international travel, elaborate décor, and live performances. Mr Eazi himself later admitted his music earnings alone could not have funded such a celebration. In his words: “You think sey music go fit pay for that wedding, my G?”

Civil Wedding (Monaco): Temi in Wiederhoeft suit with Briony Raymond jewelry; Mr Eazi in Louis Vuitton.

Traditional Wedding (Dubai): Temi in Zac Posen, Miss Sohee, Lisa Folawiyo, Oscar de la Renta; Mr Eazi in Lisa Folawiyo Studio, Tom Talmon Studio, Jagne, Mazelle.

White Wedding (Iceland): Temi in Valentino for the rehearsal dinner, and Fendi Haute Couture for the ceremony; Mr Eazi in Saint Laurent and Amiri.

Every look was chosen to make a statement, not only of wealth or status but of storytelling through fashion.

Photo: @temiotedola-Instagram

Temi Otedola’s wedding style was unique not just for its glamour but for the way it told a story through fashion. Each look blended Nigerian identity with high couture. From the aso-oke at her traditional rites to the Fendi gown in Iceland, she showed that you can celebrate your heritage, shine on a global stage, and still make it unmistakably your own.

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Italian Designer Giorgio Armani Dies at 91

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Italian fashion designer Giorgio Armani, one of the most influential figures in modern fashion, has died at the age of 91. The news was confirmed by his company on Thursday, stating he passed away “surrounded by his loved ones.”

In its official statement, the Armani Group said:

“With infinite sorrow, the Armani Group announces the passing of its creator, founder, and tireless driving force: Giorgio Armani.”

The announcement was first reported by France 24, which noted that Armani’s fashion house would set up a funeral chamber in Milan on Saturday and Sunday, followed by a private funeral at a later date.

Photo: Giorgio Armani -Instagram

Born in Piacenza in 1934, Armani started out in medicine before moving into window dressing and eventually fashion design. In 1975, he co-founded his namesake label, selling his Volkswagen Beetle to raise the funds. What began as a small venture grew into one of the most powerful fashion empires in the world, spanning couture, ready-to-wear, perfumes, hotels, and interior design.

He was known for pioneering unstructured tailoring, a style that stripped away stiffness and redefined power dressing in the 1980s. Armani’s designs became synonymous with understated luxury, worn by Hollywood stars, business leaders, and royalty alike. In Nigeria, his suits and evening gowns have been favorites on Nollywood red carpets and at major award shows, influencing how African celebrities approach luxury fashion.

By 2025, the Armani Group was generating an annual turnover of more than €2.3 billion ($2.7 billion), making it one of Italy’s most successful fashion houses. Armani’s health had been declining in recent months. In June, he missed Milan Men’s Fashion Week—marking the first time in his decades-long career that he was absent from a catwalk show.

Photo: giorgioarmaniofficial- Instagram

In Italy, Armani was affectionately known as Re Giorgio (King Giorgio). Unlike many designers who later stepped back from the spotlight, Armani remained at the heart of his company until the end. His eye for detail and insistence on perfection set him apart, shaping a brand that balanced creativity with strong business acumen.

The company confirmed that a funeral chamber will be open to the public in Milan over the weekend, allowing admirers and industry figures to pay their respects. A private family funeral will follow at a later date. Giorgio Armani leaves behind not just a global fashion empire, but also a legacy that reshaped how the world understands elegance, discipline, and Italian style.

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