Music
Flavour and Baaba Maal Bring Africa Together with “Afroculture”
When Nigerian highlife star Flavour joined forces with Senegalese legend Baaba Maal, it wasn’t just another collaboration. It was a meeting of two generations determined to remind Africa what unity in sound can feel like. Their new single, “Afroculture”, released in late October, does exactly that. It bridges languages, traditions, and rhythms without losing its local heartbeat.
Flavour has built his career on the power of homegrown rhythm: guitars that sparkle, horns that announce joy, and vocals that still sound like Enugu streets. Baaba Maal, on the other hand, has spent decades pushing Senegal’s traditional music onto the global stage. His voice carries a history of storytelling and resilience. Together, they bring two strong cultures into one track that feels bold yet familiar.

Flavour – Instagram
The video, directed by TG Omori, gets the mix right. It moves through colour-rich outdoor scenes, communal dances, and modern sets that combine present-day energy with a sense of history. The dancers aren’t there for decoration; they move with purpose, grounding the music in lived culture. The colour, the wardrobe, and even the lighting choices speak to a shared African identity rather than a borrowed idea of beauty.
Musically, “Afroculture” leans into real instruments. The percussion keeps the groove earthy, the guitars drive the melody, and both artists’ vocals meet naturally. Flavour’s smooth delivery works against Baaba Maal’s textured tone. The mix sounds natural, not tailored for algorithms or foreign approval. You hear pride in their languages and rhythm in their heritage.
What stands out most is intent. Neither artist sounds like he is trying to impress an international market. They sound like they are enjoying the freedom to represent their people. That clarity of purpose gives “Afroculture” its power. You can sense two men who understand their influence and use it to connect regions that often work in isolation.

Baaba Maal – Instagram
The video has already made its rounds online, drawing praise for its authenticity. Fans on social media noted how Omori brought together Nigerian and Senegalese elements without turning the visuals into costume drama. It feels lived-in, not performed. That is a tough balance to get right, and the team nailed it.
If there is one flaw, it is in the edit. Some transitions cut too quickly, especially during the dance sequences. A few moments deserved more space to breathe. Even so, the message still comes through clearly: African artists do not need translation to connect with each other.

Flavour – Instagram
For Flavour, “Afroculture” adds another layer to his already solid catalogue, a reminder that highlife still travels well. For Baaba Maal, it reinforces his legacy as a cultural bridge between generations. Together, they have made something that feels like a conversation between old and new Africa, not a negotiation between styles.
At a time when the global music spotlight often chases trends, “Afroculture” stands its ground. It celebrates where we come from and hints at where we could go next. It is proof that collaboration, when it is real, does more than merge sounds. It strengthens identity.
Music
Is There a Deeper Story Behind Tems and Dave’s “Raindance”?
When Dave and Tems released Raindance on Dave’s third studio album, Hold Tight, it quickly became a viral hit across streaming platforms and sparked discussion among listeners worldwide. But the song’s appeal goes beyond its catchy melody and rhythmic production. It reflects a deeper exploration of emotional vulnerability, personal history, and connection between two artists whose collaboration resonates on multiple levels.
Dave, a British rapper known for storytelling grounded in real-life experience, and Tems, a Nigerian singer whose voice has become central to contemporary Afrobeats and soul, approached the track as a genuine creative partnership. This is more than a typical feature; it is an exchange of perspectives and styles. Tems has noted that she trusts Dave in the studio, and the recording process involved real engagement, improvisation, and mutual understanding. This authenticity is evident in the track’s intimate tone.

Dave – Instagram
The rain imagery in Raindance is not just part of the song’s visual style. It serves as a metaphor for navigating uncertainty and emotional complexity. Dave’s verses detail guardedness, the challenge of opening up to someone new, and the desire to reshape personal narratives around connection and intimacy. Rain represents the work required to confront past experiences and allow vulnerability to emerge.
Tems’ contributions are essential to this dynamic. Her chorus provides a counterpoint to Dave’s introspection, conveying certainty, attentiveness, and emotional presence. Together, their interplay transforms the song into a dialogue rather than a one-sided reflection. Listeners witness two perspectives negotiating trust, openness, and mutual understanding.

Tems – Instagram
The Raindance music video further emphasizes this interaction. The visual storytelling, including shared space under open skies, subtle glances, and movement through water, reinforces the tension and chemistry in the song without confirming any real-life romance. The ambiguity encourages the audience to focus on the emotional exchange itself rather than speculation about the artists’ personal lives.

Dave – Instagram
At a time when much mainstream music focuses on high-energy hits or immediate gratification, Raindance stands out by exploring hesitation and openness simultaneously. It does not offer easy answers about love or relationships. Instead, it reflects the complexity of emotional negotiation, the work of letting someone in, and the shared effort required to build connection.
Ultimately, Raindance is a study of emotional rhythm and collaboration. It shows how two artists can navigate personal histories, trust, and vulnerability together, creating a track that resonates because it captures the subtleties of human connection, while keeping listeners engaged with a sound that is both immediate and layered.
Music
Ayra Starr, Tyla, Moliy and Shaboozey Earn 2026 iHeartRadio Music Awards Nominations
The 2026 iHeartRadio Music Awards nominations were announced, and Nigerian singer Ayra Starr, South African star Tyla, Ghanaian-American artist Moliy, and Nigerian-American singer Shaboozey were all nominated.
For Nigerian fans, Ayra Starr’s nomination has particular significance. Songs like Rush have stayed in global radio and streaming circulation, and her inclusion places her among some of the biggest names in world music.

Photo Credit – Pinterest
Tyla appears in the same category. The South African singer has helped take amapiano into global pop spaces and her nomination reflects how widely the sound has spread.

Photo Credit – Pinterest
This year, Moliy earned multiple nominations, including World Artist of the Year and Best New Artist (Hip-Hop). Her music spans multiple genres , and the recognition points to her growing reach outside Africa.

Photo Credit – Pinterest
Shaboozey is nominated for Song of the Year with “A Bar Song” (Tipsy). It is uncommon to see an artist with African roots recognised in a U. S-centric award space, which makes his inclusion notable.

Photo Credit – Pinterest
A few years ago, this mix would have seemed unlikely.
The awards ceremony will take place on March 26, 2026. With Ayra Starr, Tyla, Moliy, and Shaboozey on the list, African artists are firmly part of the global awards conversation.
Music
Adekunle Gold Honoured With Plaque After Historic Sold-Out Night at the National Theatre
Adekunle Gold became the first artiste to sell out the newly renovated National Theatre, following it’s renaming as the Wole Soyinka centre for culture and creative arts. His concert on December 26, 2025, filled the 3,500-capacity hall just weeks after it’s reopening.
The performances spanned all six albums, with a strong focus on his Fuji project. The 55-piece MUSON Orchestra joined his band, The 79th Element, enhancing the richness of the life performance. Olamide hosted. Davido performed Only God Can Save Me, while Adewale Ayuba and Yinka Ayefele joined the lineup.

Adekunle Gold – Instagram
After the show, Adekunle gold received plaques. One honoured him as the venues first sell-out headliner, while the other was presented to his label. He later thanked fans on social media and announced dates for his North America tour.
Social media quickly filled with videos of the orchestra and guest appearances, with fans describing the night as a key moment for live shows in Lagos.
With improved sound and seating, the National Theatre is once again hosting major acts. Adekunle Gold’s set ran for over two hours, blending fuji, highlife, and afrobeats.
The crowd sang along to hits like High as well as new Fuji tracks, with lights and screens moving in sync with the music.

Adekunle Gold – Instagram
The plaque ceremony took place backstage, where officials from the Wole Soyinka Centre for Culture and Creative Arts handed them over. Photos from the moment spread across Instagram and X (formerly Twitter), as fans trended #AGNationalTheatre.
Fans have since described the show as setting a new standard for concerts. Lagos venues are already booking more dates. Adekunle Gold is set to release new music in 2026, with North America tour dates beginning soon.
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