Music
Flavour and Baaba Maal Bring Africa Together with “Afroculture”
When Nigerian highlife star Flavour joined forces with Senegalese legend Baaba Maal, it wasn’t just another collaboration. It was a meeting of two generations determined to remind Africa what unity in sound can feel like. Their new single, “Afroculture”, released in late October, does exactly that. It bridges languages, traditions, and rhythms without losing its local heartbeat.
Flavour has built his career on the power of homegrown rhythm: guitars that sparkle, horns that announce joy, and vocals that still sound like Enugu streets. Baaba Maal, on the other hand, has spent decades pushing Senegal’s traditional music onto the global stage. His voice carries a history of storytelling and resilience. Together, they bring two strong cultures into one track that feels bold yet familiar.

Flavour – Instagram
The video, directed by TG Omori, gets the mix right. It moves through colour-rich outdoor scenes, communal dances, and modern sets that combine present-day energy with a sense of history. The dancers aren’t there for decoration; they move with purpose, grounding the music in lived culture. The colour, the wardrobe, and even the lighting choices speak to a shared African identity rather than a borrowed idea of beauty.
Musically, “Afroculture” leans into real instruments. The percussion keeps the groove earthy, the guitars drive the melody, and both artists’ vocals meet naturally. Flavour’s smooth delivery works against Baaba Maal’s textured tone. The mix sounds natural, not tailored for algorithms or foreign approval. You hear pride in their languages and rhythm in their heritage.
What stands out most is intent. Neither artist sounds like he is trying to impress an international market. They sound like they are enjoying the freedom to represent their people. That clarity of purpose gives “Afroculture” its power. You can sense two men who understand their influence and use it to connect regions that often work in isolation.

Baaba Maal – Instagram
The video has already made its rounds online, drawing praise for its authenticity. Fans on social media noted how Omori brought together Nigerian and Senegalese elements without turning the visuals into costume drama. It feels lived-in, not performed. That is a tough balance to get right, and the team nailed it.
If there is one flaw, it is in the edit. Some transitions cut too quickly, especially during the dance sequences. A few moments deserved more space to breathe. Even so, the message still comes through clearly: African artists do not need translation to connect with each other.

Flavour – Instagram
For Flavour, “Afroculture” adds another layer to his already solid catalogue, a reminder that highlife still travels well. For Baaba Maal, it reinforces his legacy as a cultural bridge between generations. Together, they have made something that feels like a conversation between old and new Africa, not a negotiation between styles.
At a time when the global music spotlight often chases trends, “Afroculture” stands its ground. It celebrates where we come from and hints at where we could go next. It is proof that collaboration, when it is real, does more than merge sounds. It strengthens identity.
Music
Tolani Otedola Turns Unfinished Songs into a Cohesive Debut EP
Tolani Otedola’s debut EP, Sh!t I Never Finished, is shaped by a straightforward admission she made herself: these songs were once abandoned drafts. Instead of discarding them or reinventing them beyond recognition, she completed the work and presented it as a unified project. It’s an unusual approach in a landscape where most artists debut with highly polished introductions, but hers is anchored in the decision to finish what she previously put aside.

Tolani – Instagram
The seven-track EP keeps its production intentionally narrow. Tolani leans on focused arrangements that leave room for her writing and vocal tone to carry the weight of each track. The choices are deliberate rather than dramatic. Even the collaboration with Pheelz feels purposeful. His contribution strengthens the structure of the song he appears on, without shifting the project into a different direction or chasing a trend.
A defining feature of the EP is its refusal to hide its origins. Some songs retain a slightly raw edge, the kind you expect from material that lived as drafts before being revisited. Instead of smoothing every corner, Tolani allows the history of the songs to remain visible. It gives the project a documentary quality. Listeners hear what was completed, not what was rebuilt from scratch.

Tolani – Instagram
Reaction to the release has centred on the simple fact that Tolani now has a full body of work after years of occasional releases. It positions her clearly within the Nigerian music landscape, not through a rebrand but through a complete project that shows her writing style, vocal choices and artistic priorities without distraction.
Not every track lands equally. A few would benefit from sharper hooks or more rhythmic variation, but these gaps don’t weaken the project’s intent. They underscore that this is a debut built from material she chose to finish honestly, not repackage into something overly processed.

Tolani – Instagram
Tolani described the EP as “my small victory”, and the project reflects exactly that. The decision to complete unfinished work and release it without theatrics stands out. Sh!t I Never Finished serves as a clear statement. She has completed the songs she once left behind, and she has done so on her own terms.
Music
Ciara, Oxlade and Moliy Team Up on “Nice n’ Sweet” A Smooth Blend of R&B and Afrobeats
Ciara’s latest release, “Nice n’ Sweet,” arrives with the kind of clarity that shows a deliberate new phase. Featured on the CiCi deluxe edition, the track pairs her R&B foundations with a lively Afro-influenced sound shaped by Oxlade and Moliy, two artists who have created a unique spaces within African pop’s today’s sound. The collaboration pulls three different style into one direction, resulting in a song that feels good in its mix.
Produced by Shyne and Lucky Jones, the single uses a warm beat and smooth melodic patterns that give the song its rhythm. Ciara’s delivery stays soft, setting the tone before Oxlade steps in with his smooth, instantly recognisable tone. Moliy adds a lightness that rounds out the trio’s chemistry, creating a mix that feels global without without drifting.

Ciara & Moliy: Instagram
Lyrically, the track plays with intimacy and rhythm, reflecting the playful lines that have already drew interest online. It’s an easy listen on the surface, though there’s a clear intention in how each voice is arranged in parts, lending the record a clean result that suits its cross-cultural identity.
Beyond the sound, “Nice n’ Sweet” marks another point in Ciara’s ongoing connection to African music, a relationship she has been exploring more openly in recent years. Oxlade’s inclusion reflects his continued rise among international audiences, while for Moliy, the feature signals another significant step in her expanding path.
Music
14-Year-Old Champz Debuts at No. 1 on Apple Music Nigeria
At 14 years old, Champz, real name Boluwatife Balogun, has become the youngest artist to reach No. 1 on the Apple Music Nigeria Top Albums chart with his debut EP, Champion’s Arrival. The five-track project, just eleven minutes long, was released on November 11, 2025, and topped the chart within five hours.

Champz – Instagram
While his father, global Afrobeats star Wizkid, is a recognized name, Champz’s achievement is notable for being entirely solo. The EP features no guest artists, highlighting his ability to connect with listeners independently. Its concise format also reflects a clear understanding of today’s streaming-focused audience, where short, focused projects can make a strong impact quickly.
The success positions Champz among the youngest artists in Nigeria to reach a chart-topping release. It also shows that early exposure and guidance from a music family can translate into tangible results, provided the talent is real. Rather than relying on collaborations or hype, Champz’s work demonstrates self-reliance and a grasp of his musical identity at an age when most are still exploring their interests.

Champz – Instagram
Reaching No. 1 on Apple Music Nigeria is significant. The platform measures real-time streams, and a top position often forecasts broader commercial and media opportunities. For Champz, the milestone confirms that he has captured attention not only because of his surname but because of the music itself.
Looking ahead, sustaining this momentum will be crucial. He has the opportunity to expand through visuals, live performances, and selective international exposure. At the same time, maintaining focus on his own sound and growth rather than comparisons to his father or peers will be essential for long-term credibility.

Champz – Instagram
This debut also reflects a broader shift in Nigerian music. Younger artists are entering the industry with digital-first strategies, short releases, and immediate engagement with audiences. Champz’s achievement illustrates that age is no longer a barrier when talent meets the right timing and approach.
By topping Apple Music at 14, Champz has made a measurable mark on the Nigerian music scene. His debut shows that careful preparation, focus, and genuine talent can translate into early success. For the industry, his rise serves as a reminder that young artists can achieve significant milestones if given the right platform and guidance.
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